ENGLISH

The BB Media Day will be face-to-face in Miami the last quarter of the year

Maribel Ramos-Weiner| May 21, 2021

Horacio y Tomas Gennari

The BB Media Day will be held in person during the last quarter of this year at the Biltmore hotel in Coral Gables, Miami, announced Horacio and Tomás Gennari from the Business Bureau during #PRODUprimetime with Ríchard Izarra.

BB Media Day is a free one-day event aimed at the TV industry in order to share the most recent data collected by BB. Many executives use that information to fine-tune their strategies and projections.

The first BB Media Day took place in Argentina in 2012, and since then it has been held annually non-stop. The first time it took place in Miami was in 2015. Last year it was held during the first week of March, and it was the last one before going into lockdown.

Bogotá and Madrid, have also hosted the event with an average attendance of 80 to 100 executives.

“Today everything is based on data, on hard data, and if the methodology is right, and the way of estimating and projecting forward is right, it gives you a much greater degree of certainty for what will come in the next five years. When you look at a 2016 Business Bureau report, it is also nice to say: ‘Look here we were right in this and that was what happened, we were not crazy,” said Tomás Gennari, escorted by his son Tomas. The company was founded by Horacio 34 years ago when Tomás was only 2 years old. Both covered topics that included the company’s beginnings to the reinvention of the industry.

They talked about how they got involved in TV data in Latin America and how now Tomás, at the head of the company, has expanded BB’s services to the entire world with content data.

“I am proud, extremely proud of my son Tomás, of how he is managing the company and the leap in quality and innovation that he has achieved in recent years. I am very involved with the company when it comes to big decisions, but I feel quite relieved that he is running it,” Horacio said.

And he added: “And let me tell you something else, Ríchard, that will perhaps catch your attention: When we started building grids of cable operators, there were 740 cable operators in Latin America, with approximately 50-60 cable TV channels each. And what we have done, and Tomás has done and conducted very well, is to replicate that, but on a multiplatform scale with millions of contents. We continue doing the same: investigate where the content is, how it looks, how it is distributed, which is legal and which is illegal. But instead of doing it for 30,000 cable operators -how we ended up doing it in Latin America, now it is done for thousands of platforms in the world and with millions of episodes and millions of series.”
Since the beginning of this year Horacio has retired from the day to day operations of the company in order to dedicate himself to more intellectual and advisory tasks from his residence in Miami.

“What always caught my attention were the first pay TV researches that BB kicked off about 30 years ago: calling a home and asking Doña Rosa -who was sitting at her home-, which channel she was watching,” Tomás stressed. He explained that now they are doing the same, but with the contents. They have an expert content team that uses the same modus operandi as BB: finding out what is happening in the industry, searching for data, working with their clients so that they understand what is going on, but not only in the macro level, saying how many subscribers or platform there are, but getting down to the absolute detail.

“As my old man said, first what cable operators exist, what channels do they have, but now replicating that same modus operandi to know how many platforms exist around the world and how much they charge and what content they have. We have moved from over traditional research methodologies such as phone calls to automation. Everything is now automated, controlled by systems engineers; all are developers,” Tomás commented, adding the data is exponentially higher. “The amount of data collected weekly reaches 50 million and when the bills from the servers arrive, there is when you faint. But we are alongside with the change of the industry, in this digital transformation that is happening for all the players and our clients, and we are walking the same path together, looking for the right business model for each of the actors,” he said.

How did BB get involved in TV data? Horacio was a marketer from Odol Argentina, a worldwide toothpaste company. He founded BB oriented to brand research and advertising, until Telefe’s boss during those times, Pablo Gali, asked him to find out who was stealing his signal. Since then BB has not stopped in its hard data surveys, becoming a pillar in the development and growth of the region’s TV industry.

“What I can say is that during the pandemic the company has grown in revenues, in a number of clients, and in staff. We attribute this to the vocation and the new products that have been launched and, above all, to our proactive attitude to respond immediately to the customers’ needs. I take great pride when a huge, global client asks us: Can you tell me what contents are being watched in South Sudan and Bangladesh, I would need that information for tomorrow?… And that attitude of going out there and looking for the answer, and for tomorrow, it has not been lost, and I like that Tomás carries that flag,” said Horacio.

Possible cannibalization of the pay-TV programmers by launching their own OTT services was among the various topics addressed during the interview.

“This is not the pay TV apocalypse. We look at the numbers and obviously, there are factors of concern, but it is not the apocalypse anyway. Is reinvention, and there is where you do have to hurry to be part of that reinvention and not be left out. It is precisely there that the data is very useful to those who are being proactive; there are so many possibilities and so many doors, so that is why we seek that our data is somehow the answer to many questions that are around. We do not see that they are cannibalizing, but that they are reinventing themselves, and in that reinvention, there is going to be more money than it used to be in traditional pay television. But I think that more money is going to be concentrated in fewer hands.”

Watch the complete interview here

Diario de Hoy

jueves, 21 de noviembre de 2024

Image

Inter Medya presentó Corazón negro en MIP Cancun y confirmó que ya fue vendida en Panamá

Image
MIP CANCUN 2024

• Segunda temporada de La casa de los famosos Colombia se verá exclusivamente por RCN en sus diferentes ventanas

• Firat Gulgen de Calinos: Comencé en 1999 distribuyendo telenovelas latinas y mi objetivo era algún día regresar al mercado latinoamericano

Vendetta y Love, Marriage, Divorce de Global Agency tuvieron su showcase en MIP Cancun

• Pilar Blasco de Banijay Iberia: Hemos regresado a hacer contenido más parecido al que se hacía para el abierto

• Productores Diego Ramírez y Billy Rovzar: Tenemos que volver a hacer producciones arriesgadas

• Liliam Hernández y Roxana Rotundo: Todo un éxito nuestro desayuno de las wawas en MIP Cancun con más 125 asistentes

• Carolina Cordero de Buenos Aires Film Commission: El viernes 22 tendremos un panel para presentar distintos incentivos que ofrecen diferentes ciudades

• Rosa Clemente de Punta Fina: La comedia familiar colombiana El novicio rebelde tiene todo para sentar a la familia ante la pantalla

• Inés Havraneg de Onza Américas: Si bien iniciamos con series, este año nos abrimos a largometrajes

• Alberto Slezynger: A un año de operaciones Personal Music México y Personal Post tienen dos proyectos en conversaciones y otros que están surgiendo en este mercado

• Sebastián Ochoa de Cinemat: Estamos presentando cinco proyectos para pitch

• Julieta Brunero de TIS: Venimos a MIP Cancun a tener reuniones creativas de estrategia y encontrar nuevos modelos de negocio

• Federico Levrino de Telefe: Dejamos de ser solamente una canal de televisión abierta para ser una casa productora integral

• Ana Celia Urquidi de Atenea: El futuro está en las alianzas y colaboraciones

Llegan los Premios PRODU de la Industria

Image
ACTUALIDAD

• Comcast planea crear un nuevo negocio de medios independientes a través de la escisión de algunas de sus señales de TV por cable

• Telemundo adquiere derechos para hacer versión del éxito español Velvet en 2025

• Los Festivales de Málaga y San Sebastián junto a la productora Orca Films organizan el ciclo de películas españolas MASS en Argentina y Uruguay

• Digitoonz Spain y Morgana Studios cierran acuerdo para codesarrollar la marca YugiBao

Image
CONTENIDOS

Miss Universo por Telemundo se ubicó como el especial de entretenimiento en español más visto de 2024

• Nueva temporada de Yellowstone en Paramount+ supera todos los debuts previos de la serie

• Comenzó el rodaje de nueva coproducción de Flow y StoryLab Nieve roja

Noticias RCN renueva su formato e incorpora nuevos presentadores para su emisión nocturna

Image
RATINGS

RATINGS: Perú top 10 programas TV abierta semana del 11 al 17 de noviembre

Image
MIP CANCUN 2024
Image

Estudios RCN en su camino de seguir consolidándose en la producción de formatos de entretenimiento, confirmó a PRODU durante MIP Cancun que el próximo año la segunda temporada de La casa de los famosos Colombia será producida y transmitida de manera exclusiva por RCN, en distintas de sus ventanas como su canal de televisión abierta, portal web, las redes sociales e incluso una plataforma propia en la que trabajan.

Image
Firat Gulgen de Calinos
Image
Izzet Pinto de Global Agency presentó Vendetta
Image
Image
Image
Image
Image
Image
Inés Havraneg
Image

Personal Music México y Personal Post, sucursales de Personal Music (Miami) de Alberto Slezynger, que ya tienen un año en operaciones en tierra azteca, cuentan con dos proyectos en conversaciones y otros nuevos que están surgiendo en MIP Cancun.

Image
Image

En MIP Cancun la empresa TIS ve una oportunidad para ir cerrando 2024 de la mejor manera. “Venimos con mucho entusiasmo, con muchas ganas de conectar con partners, gente y colegas con los que venimos trabajando codo a codo; seguir profundizando alianzas, continuar profundizando relaciones. Actualizar las estrategias que tengan varios de nuestros clientes, porque es tan cambiante todo. Venimos para tener reuniones creativas de estrategia, encontrar nuevos modelos de negocio y nuevas alianzas” afirmó Julieta Brunero, directora de Contenido de TIS.

Image
Image
Image
ACTUALIDAD
Image
Mark Lazarus de NBCU
Image
Image
Image
Image
CONTENIDOS
Image
Image
Yellowstone es el principal impulsor de suscripciones y minutos vistos en todos los mercados internacionales de Paramount+ donde la serie está disponible
Image
Image
Image
<em>RATINGS</em>
Image