ENGLISH

Rlaxx TV: Connected TV platforms are responsible for ensuring users’ access to value propositions

Vanessa Maldonado| January 3, 2024

Laura González, director of Market Intelligence and Monetization, said they also seek to make life easier for advertisers and agencies

Rlaxx TV is part of the AVOD/FAST streaming service, aiming to offer users and advertisers a wide variety of content on a single platform. Laura González, director of Market Intelligence and Monetization, said they are exploring the Latin American market to learn about the preferences of each of the country’s users to meet their needs.

“It is about pretending that viewers or the end user see the content the way we see it, regardless of whether it is VOD, AVOD, or FAST. What matters to them is viewing content, and this is where connected TV platforms have the advantage and, at the same time, the responsibility of making users have access to value propositions,” he mentioned.

Regarding the opportunities for commercial partners, González added that as a FAST and AVOD service, they also seek to make life easier for advertisers and agencies. “To show them what they’re buying, CTV and OTT traffic, and we are talking about FAST. In the future, they will want content with high production value where they want to place their ads because attention will be greater and, therefore, they will be prepared to pay a premium price, and as before, they will continue to watch on linear TV. It is about simplifying for advertisers the value proposition that we bring and for them to see that digital is not just YouTube, but that there are other types of formats, which not necessarily, are generated by users, where they can also reach specific audiences, who will pay attention to what they want to say.”

She highlighted that the industry is now talking about fragmentation of the offer through different apps, mobile devices, and platforms, where small providers like them manage 40% of connected televisions. “They simplify the content distribution to reach more platforms with less complexity and less costs. Rlaxx TV has the possibility of presenting not only apps but also different paid and free content proposals, a strategy that has been very successful for five years. We are the gateway for users to enjoy content through recommendations or integrating the FAST channel to the linear proposals.”

Regarding the content offering, he explained that they start by offering each user a product that responds to their preferences. “That is why we focus on having a fairly diverse portfolio of channels, from niche sports, lifestyle, cooking, documentaries, series, and movies, among others, to expand internationally and, so since 2021, we have arrived in Latin America to find out what the consumer in this region wants, where all countries are different, and that is why we are at the moment exploration, but we are already on all the connect TV devices.”

Diario de Hoy

martes, 26 de noviembre de 2024

Image

Mariana Ortiz del Clúster de Nuevo León: Ley de Cine de Nuevo León aportará con fondos e incentivos al audiovisual en la región

Ríchard Izarra durante su visita a Monterrey conversó en #PRODUprimetime con diferentes productores y miembros que son parte del Clúster de Nuevo León, luego de que finalmente se aprobara y promulgara la Ley de Cine. Mariana Ortiz, como directora del clúster, comentó que la idea del grupo es trabajar de la mano de las empresas, academias y el gobierno para el crecimiento de la industria


Ver nota completa
Image
VIPS

• Lina Roncancio de Netflix Ads: Entregaremos a marcas una combinación de data interna y de empresas de medición

• Emma Rozanski, directora de El vaquero: Colombia tiene muchas locaciones con potencial para hacer western

• Hans Guevara de HCG Tech: Segunda edición de Virtual Production Summit es un puente que conecta a la industria global con el talento latinoamericano

Coordinadora de intimidad Ana Sofía Sánchez: Nuestra primera función es mantener a los actores en un ambiente seguro

Teresa Fernández Valdés de Te Espero en Marte: Vengo a Latinoamérica porque quiero trabajar activamente con esta región

Michelle Alexander, CEO de Del Barrio

Michelle Alexander de Del Barrio: Estamos impulsando dos dramedies y la novela corta Leche de tigre

Alejandro Veciana de FilmRise: Serie británica Prime suspect doblada al español funcionará muy bien en LatAm y en FAST

Valcine explora género del terror y presenta La cocinera que está respaldada con un fondo del Gobierno de Chile

Richard Carrillo de ATmedios: Incorporamos el servicio de subtitulado en vivo con IA con buenos resultados

Amanda Puga de Praxia: Buscamos coproducción o financiamiento para la serie satírica El funeral del señor Maturana

María Kivinen de YLE: Queremos seguir trabajando con Latinoamérica

Martha Contreras de Orasi: Lanzamos una nueva línea de live dubbing

Image
ACTUALIDAD

• Disney+ expande su propuesta de soluciones publicitarias en América Latina

• El tercer congreso de animación Animar_BCN se realiza desde este martes 26 al 28 con el apoyo de ICEX

• Prime Video sigue consolidándose en el mercado de streaming de LatAm, según BB

Óscar Sánchez de RedMexCom: Trabajamos por aplicar medidas sustentables de manera sostenible y crear el Observatorio de Cinematografía Audiovisual

Image
CONTENIDOS

• Netflix reveló tráiler y arte principal de Cien años de soledad que llega a la plataforma el 11 de diciembre

Al sur del corazón se despide como el tercer programa más visto de 2024 y Nuevo amores de mercado estrenó liderando la franja por Mega de Chile

Reality Palabra de honor mantiene su éxito en el prime chileno luego de tres semanas al aire

• TVN produce en sus estudios de Chile Ahora caigo Brasil

Image
VIPS
Image
Image
Image
Image
ACTUALIDAD
Image
Image
Image
Image
CONTENIDOS
Image
Poster Cien años de soledad de Netflix
Image
Image
Palabra de honor es un reality de encierro y competencia
Image
Daniel Fuenzalida y Tom Cavalcante, respectivamente conductores de Ahora caigo Chile y Brasil