U.S. HISPANIC Versión en español

#PRODUprimetime with Ríchard Izarra about the 30 years of Gastón Soso and his company Nocaut

19 de junio de 2024

Gastón Soso, co-founder of Nocaut: The concept of designing specifically for television screens had been an idea we'd harbored for some time

Gastón Soso, a co-founder of Nocaut, a creative services agency specializing in crafting campaigns and promotional materials for studios and platforms, is celebrating three decades of continuous work in the industry. #PRODUprimetime, hosted by Ríchard Izarra, explores Soso’s career and the journey he and his partners undertook to achieve their success, all while remaining based in his hometown of Rosario, Argentina.

“Thanks, Ríchard, for inviting us. It’s a great pleasure to be here. We always like to share our beginnings, because it highlights how far we’ve come.  Thirty years ago, when linear editing meant working with clunky cassette decks and non-linear editing was unheard of, our first foray into the audiovisual world was a surprisingly rewarding one: capturing ‘quinceañeras’ and weddings. They were cherished events for families, and we took pride in documenting them,” said Soso, Account Director and co-founding partner of Nocaut.

ROSARIO AS A BASE
Hailing from Rosario, Argentina (roughly 300 kilometers from Buenos Aires), the company shares its roots with soccer legend Lionel Messi.  While Miami has historically been a hub for Latin American media ventures, especially since 2000, they’ve established a presence there as well.

“We never felt the need to relocate. Although Miami is our current base, allowing us to expand our client network, staying in Rosario was always the plan. Back in 2000, the industry standard was to move to the US, especially Miami, for success. But being Latino, we were determined to stay put, even avoiding Buenos Aires.  With some creative resourcefulness, we figured out ways to send materials and collaborate with major TV networks, proving you don’t have to be geographically central to be successful,” says Soso in the #PRODUprimetime interview.

FIRST NOCAUT’S CUSTOMERS
Beyond their early ventures filming social gatherings, birthdays, and weddings, these three talented and resourceful friends started making a living in the audiovisual industry at a young age. By 2000, their entrepreneurial spirit led them to work with LAPTV, a company specializing in channel packages.

“Our journey began in 2001 with a company called LAPTV, a pioneering Atlanta-based firm whose signal package was carried by Moviecity, working with Juan Pablo Mascali, who has been a friend of ours for lifetime. We collaborated with them on their very first promotional campaign, a groundbreaking effort that seamlessly integrated design and animation into on-air advertising – a concept far ahead of its time, considering social media wasn’t even a factor back then. LAPTV was impressed with our work, and this successful project marked a turning point, solidifying their trust in us as their go-to partner for content promotion,” he explained.

“The concept of designing specifically for television screens had been an idea we’d harbored for some time,” he said. “This vision blossomed in Atlanta, where we landed a significant partnership with CNN en Español. This collaboration marked another major leap forward, propelling the expansion of our business in that region.”

SEBASTIÁN CARAZAY AND RODRIGO JÁVEGA
Three childhood friends from Rosario were the creators of Nocaut 30 years ago and they are still together; in addition to Soso, they are Sebastián Carazay and Rodrigo Jávega.

“What’s truly remarkable is that after 30 years, our company is still just the three of us. People are often surprised to hear that. It’s true, the early days were filled with fun and discovery. But as with any company, growth brought its challenges. We’ve navigated growing pains and tough decisions along the way. Yet, through it all, we’ve persevered. It’s been an incredible journey, and we’re excited to see what the future holds,” said Soso.

He explained how, even though the company has grown to over 20 employees, the core team structure established at its founding remains surprisingly intact. Everyone still plays a vital role, with the managers transitioning into more supervisory and client-relationship-focused positions.

From the beginning, each of us played a crucial role, like the legs of a stool. Sebastián, our audiovisual director, brought his expertise in video production.  Rodrigo’s design skills became the company’s design foundation. And, at the company’s inception, focused on animation.

WHY NOCAUT? HOW HAS THE COMPANY BEEN CHANGING?
Nocaut (meaning knockout in English) is a name that Rodrigo Jávega proposed more than 20 years ago in reference, obviously, to the term boxing.

“Author Julio Cortázar famously compared novels to boxing matches won by rounds (in 12 rounds, he said), while short stories by knockouts. They demand a powerful impact on the reader. This philosophy aligns perfectly with our work. For most of our journey, we’ve focused on short-form content like music videos and promotional pieces. We understood the power of these concise narratives and aimed to deliver a knockout punch with each project,” explained Soso.

In the interview, he discussed the dramatic shift in the promotional landscape.  He explained how his company has had to adapt, going from a pre-social media and AI world to one where these tools are central to their work.

“The need to constantly evolve and embrace new trends is paramount. Social media has become our primary focus for the past several years, and it’s clear that younger generations have a deep understanding of this space. Their expertise will be crucial as we build integrated teams that leverage the power of artificial intelligence, a technology that’s already impacting our industry,” said Soso.

CONTENT NEEDS TO BE PROMOTED
Soso referred to the importance of promoting the content. He concluded by highlighting the evolving nature of content promotion.  “Gone are the days of simple commercials for LAPTV promos in the 2000s – today’s campaigns are multi-faceted beasts.  From digital and social media to print, radio, and even augmented and virtual reality, the promotional landscape has exploded.  This constant growth necessitates continuous learning, a core value for our company.”

Diario de Hoy

martes, 1 de abril de 2025

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Brendan Fitzgerald de Secuoya Studios: “Nos estamos transformando de una empresa de storytellers españoles a storytellers europeos”

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DESTACADOS

• Canal de streaming gratuito de información financiera en español Negocios TV abre división para las Américas desde Miami

• Ernesto Contreras, director mexicano: "Las plataformas deben atreverse más y contar otras historias”

• Maussan Televisión llegó a TV abierta con programación sobre misterios y ecología

• elGourmet presentó tercera temporada de Asado de obra, que se estrena el miércoles 2 de abril a las 6pm

• Series Mania Forum se presenta como el nuevo "todo en uno" de la ficción televisiva

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ACTUALIDAD

• Mercado Play expande alcance con su disponibilidad en Smart TVs

• TVN de Chile: pérdidas en 2024 se ajustan a lo proyectado y primer trimestre da indicios de recuperación de audiencia

• Pixelatl afianza sus actividades en Jalisco para 2025 y anuncia fechas de su edición 14°

• Conecta Fiction & Entertainment extiende el plazo para presentar proyectos

• Platino Next Gen de EGEDA abre su 4ª convocatoria

• Feratum inicia inscripciones para cuarta edición de su residencia de guion cinematográfico de cine de terror y fantasía

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CONTENIDOS

Deal or No Deal de Banijay regresa a México y EE. UU. hispano con TelevisaUnivision luego de un hiato de cinco años

• Azteca Uno estrenó edición generacional de MasterChef Celebrity con rating destacado

• Sony Pictures Television vendió la serie Yo no soy Mendoza a Netflix en América Latina

• Película La sombra del juez, de Red Collision y TheGSeven, en el marco del Mes del cine colombiano llega a salas el 3 de abril

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RATINGS

RATINGS: Argentina top 10 programas TV abierta del 24 al 30 de marzo

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DESTACADOS
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El experto en finanzas venezolano Víctor Rodríguez, a quien se le conoce como el Jim Cramer en español, y quien hasta hace poco estuvo al frente del programa diario Factores económicos por Vme en EE. UU.; asumió el reto de liderar la expansión del canal de streaming gratuito Negocios TV en las Américas. Rodríguez cuenta con 28 años de experiencia en gestión, ventas, mercadeo y desarrollo de negocios en la industria de valores en la región.

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ACTUALIDAD
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Pixelatl se fortalece este 2025  y anuncia las fechas de la 14° edición del Festival de la animación, videojuegos y cómics: 9 al 13 de septiembre del 2025 en Guadalajara, Jalisco. Su sede principal es Ciudad Creativa Digital. En esta misma sede tendrá lugar, del 8 al 10 de abril próximo, el Shortway Campus.

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El plazo de cierre de las convocatorias de proyectos para la novena edición de Conecta Fiction & Entertainment 2025 se han extendido unos días.

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CONTENIDOS
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Banijay Entertainment anunció el regreso de Deal or No Deal a México (Lo tomas o lo dejas) y al mercado hispano de EE. UU. tras una pausa de cinco años.

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El reality show culinario MasterChef Celebrity Generaciones México, estrenó en Azteca Uno con una audiencia total de 2.220.394 personas, de las cuales 915.804 corresponden al target 19-54 años sin DE. La producción de Endemol Shine Boomdog para TV Azteca celebra diez años del formato en este país con una edición especial que divide a 20 celebridades en cuatro generaciones: Los clásicos (1946-1964), Casete (1965-1980), Millennials (1981-1996) y Nueva Generación (1997-2012).

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Yo no soy Mendoza, la última historia original del reconocido escritor y productor Fernando Gaitán (Betty la fea, Café con aroma de mujer y Hasta que la plata nos separe), es un drama con toques de humor que explora emociones universales como la ambición, el amor y el poder a través de sus personajes, interpretados por un selecto elenco de actores mexicanos y colombianos.

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La sombra del juez Película

El Mes del cine colombiano sigue su marcha este 3 de abril con el estreno de La sombra del juez, película dirigida por Libia Stella Gómez, con la producción de Red Collision Studios y la distribución de TheGSeven.

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<em>RATINGS</em>
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