ENGLISH

Comcast: NOW TV Latino puts Hispanic market diversity at its core

Maribel Ramos-Weiner| October 2, 2024

José E. Vélez-Silva, VP, Multicultural Strategy, Operations & Community Engagement at Comcast

One aspect that excites José E. Vélez-Silva, VP of Multicultural Strategy, Operations & Community Engagement at Comcast, about the Hispanic market is its diversity, which is multilingual and multicultural, enjoying an even wider array of genres than the general market.

Regarding Hispanic audience preferences, Vélez notes that the top genres are dramas, comedies, sports, and news. However, within these categories, there is a wide demand for various sub-genres of content.

APPEALING TO DIVERSITY OF TASTES

For example, superhero shows are extremely popular, as are fantasy and horror themes. “We also still consume our telenovelas and Super Series from Telemundo. In sports, bilingual, bicultural Hispanics are as passionate about American football as they are about soccer, and we tend to over-index on several other sports as well. Even in the news category, we need a diverse offering. Hispanics consume local news on mainstream channels, but also local news in Spanish to get content relevant to their communities. Last but not least, the reality show phenomenon that Telemundo has developed and perfected, making them the #1 in primetime with properties like La Casa de los Famosos, Top Chef VIP, Exatlón, and the latest La Isla: Desafío Extremo,” he stated.

La Isla: Desafío Extremo

La Isla: Desafío Extremo

He explains that due to this diversity of tastes, Comcast developed and launched NOW TV Latino, “so customers can enjoy blockbuster movies, novelas, sports, and live news from 25+ live streaming and free ad-supported streaming TV (FAST) channels.”

NOW TV Latino users also have access to Peacock Premium at no additional cost, which includes a great collection of hit movies. With Peacock Premium, customers can also watch live sports, including Premier League soccer, Team USA Men and Women’s soccer, Chivas Liga MX home matches, select NFL games, WWE, the Paris 2024 Olympics, and FIFA World Cup 2026.

ADAPTABILITY

Vélez notes that Hispanics have always been at the forefront of adopting new technologies, and streaming is no different. “However, due to the need for Spanish-language broadcast content, Hispanics have maintained their pay TV while also exploring and adopting streaming services that provide both new and different content than they were used to,” he mentions.

He adds that it took streaming a while to offer a good variety of Spanish content, so you still needed cable to get quality Spanish-language TV. Additionally, Hispanic households still need access to live, linear TV for news, sports, and other content that needs to be watched in real-time.

He notes that Hispanic MVPD subscribers tend to be slightly older, particularly compared with vMVPD subscribers, while younger Hispanics are still getting cable/satellite content through their parents (as they might still be living at home).

Regarding subscriptions, Vélez points out that currently, over 6 in 10 Hispanics subscribe to at least one subscription streaming service, while about 4 in 10 subscribe to cable or satellite. “We have also seen FAST adoption on the rise, with about 7 in 10 Hispanics using FAST services at least once a month,” he added.

Regarding the importance of Spanish for this market, Vélez indicates that the language has been a connector with culture and heritage for decades. “Now more than ever, maintaining and preserving our language is of utmost importance and will always be a differentiator. Linear Spanish-language broadcast is significant for multigenerational homes, homes with Spanish-dominant or Spanish-only speakers, homes with family members who are seniors who might be less tech-savvy and prefer not to stream, and those who have close family living in their home countries,” he emphasizes.

MAIN NETWORKS

Asked about the channels that generate the most traction, Vélez noted that the major Spanish networks, Telemundo and Univision, still dominate in the linear space. However, several cable networks also enjoy strong loyalty even if they don’t generate the same hours of viewership as broadcast networks. These include Discovery’s Spanish-language networks, ESPN Deportes, UNIMÁS, and channels offering local news and content from various Latin American countries, among others.

Beyond Spanish-language networks, overall, as in the total market, “we still see strong viewership for other broadcast networks. Other pay TV brands that resonate with Hispanic audiences include Discovery, ESPN and other sports networks, Bravo, TLC, FX, and AMC.”

He cited that when looking at the NBCU portfolio of brands/channels, it reaches over 93% of all Hispanic households. “No other media company delivers this reach.”

He added that the availability of Spanish-language content via streaming services has led to a migration among Hispanics to streaming.

“While with MVPD services, Spanish-language content was siloed into Spanish-language packages, with streaming, Spanish and English-language content play in the same sandbox, fulfilling the varied needs of Hispanic households, where often there is interest in both – content in English and content in Spanish to serve the needs of several generations (and acculturation levels) in the home. A package like NOW TV Latino provides great Spanish-language and English-language content at an affordable price for Hispanic viewers with a wide variety of tastes and interests, which is perfect for multi-generational households,” he points out.

Diario de Hoy

viernes, 20 de diciembre de 2024

Image

Santiago López y Diego Robino de Cimarrón: Queremos crecer en EE UU

Los uruguayos Santiago López y Diego Robino, dos de los socios de Cimarrón
Image
VIPS

• César Sabroso de A+E Networks LatAm: Orgullosos de haber creado en 2024 una estructura de contenido nueva que entregó resultados desde el primer día

• Dago García con La pena máxima 2 le da nueva vida a uno de sus clásicos cinematográficos

• Carlos Fajardo de SMARTFILMS: Invitamos a marcas con propósito que quieran unirse a nuestra comunidad para contar sus historias en 2025

• María Pía Astaburuaga, cocreadora de La cocinera: Inspirada en hechos reales la historia permite construir hasta cinco temporadas

PERSONAJE DE LA SEMANA

Amauri Soares, director ejecutivo de Estudios Globo y TV Globo

Amauri Soares de Globo
Image
ACTUALIDAD

• TelevisaUnivision y Atresmedia acordaron lanzar ViX en España a través de atresplayer en enero 2025

• Jornadas 2025 se realizará el 7 y 8 de octubre en el Hotel Hilton de Buenos Aires

• Onza Distribution se encargará de la distribución internacional de la serie Mamen Mayo de SkyShowtime

• Canal de streaming argentino Olga superó las 26,2 millones solo en YouTube en el último mes

• TV abierta y plataformas digitales lideran las preferencias de consumo audiovisual en México según IFT

• Cindie lanza su canal FAST en smart TVs de TCL en países de LatAm

• El proyecto educativo español Ventana Cinéfila llegó a más de 360 mil jóvenes espectadores en su quinta edición

Adria Marina de MasterChef Colombia

El picante de la chef Adria Marina: una de las claves del éxito de la décima temporada de Masterchef Colombia

Image
CONTENIDOS

• Telemundo cierra el año dominando múltiples géneros y horarios de TV lineal y un desempeño récord en redes sociales y digitales

• Univisión iniciará 2025 presentando su primera producción original de true crime en horario estelar C.D.I. (Código de investigación)

• MovieBox grabó serie Sin Límites en el Everest a 5.364 metros de altura

• Karla Sofia Gascón será una de las protagonistas de Las malas producida por About Entertainment, Infinity Hill y Suma Content

• Se revelaron primeras imágenes de Amor animal serie original de Prime Video producida por Underground

• Serie española Shared custody producida por The Immigrant de Fremantle debuta en Disney+ el 24 enero de 2025

Image
HOY

• PRODU | Diario entra en receso a partir de este lunes 23 por festividades

Image
VIPS
Image
Image

En 2001, el cine colombiano vivió un fenómeno con el lanzamiento de La pena máxima, película protagonizada por Enrique Carriazo y Robinson Díaz, que con el tiempo se ha vuelto icónica en el país. Luego de 23 años este título regresa a la pantalla grande con La pena máxima 2, nueva película de Dago García Producciones, hecha con el apoyo de Caracol Televisión. La cinta, dirigida por Mauricio Cruz Fortunato, se estrenará en salas de cine de Colombia el miércoles 25.

Image

Luego de haber celebrado una década de existencia, SMARTFILMS ya proyecta sus metas para 2025. Carlos Fajardo, VP Comercial de Marketing y Comunicaciones de Valencia Producciones, adelantó que uno de los objetivos principales será expandir el festival de cine hecho con celulares a nuevos mercados.

Image

María Pía Astaburuaga, cocreadora de la serie La cocinera y Leonardo Valsecchi, director de Contenidos de la productora chilena Valcine, conversaron con PRODU sobre esta serie, de la que afirman se pueden hacer cinco temporadas. La están ofreciendo como contenido original.

Image
ACTUALIDAD
Image
Image
Hotel Hilton Argentina
Image
Image
Migue Granados Olga
Image
Lamac confirmó que la valoración de calidad, sea positiva o negativa, es única para cada canal
Image
Maurice Van Sabben de DMD
Image
Image
CONTENIDOS
Image
Image
Image

La productora colombiana MovieBox continúa apostando por producciones filmadas en lugares exóticos del mundo. Este año estrenaron la serie El colombiano de Keko (grabada en Tanzania). Recientemente concluyeron también el rodaje de la serie Sin límites, que se realizó nada menos que en el Monte Everest, la montaña más alta del planeta con una altitud de 8.848 metros, localizada en la frontera entre Nepal y China.

Image
Image
Image

Disney+ ha lanzado el tráiler de la nueva serie original española Shared custody (Custodia repartida), la comedia dramática que marca el debut como director de TV de Javier Fesser, creador de Campeones. La serie estará disponible globalmente en Disney+ a partir del 24 de enero.

Image
HOY
Image