ENGLISH

Gustavo Aparicio of Spanglish Movies: Hispanic FAST CPMs are matching those of the general market

Maribel Ramos-Weiner| September 15, 2023

Panel Waterston Horowitz Aparicio Spanglish Bohl Castalia Fiterre Condista Garcia Unanimo Sports

The panel Connecting Content to the Consumer at the 21st Annual Hispanic Television Summit in New York addressed the beginnings of programming distribution in the US Hispanic market.

Adriana Waterston, EVP of Insights and Strategy Leader at Horowitz Research, who moderated the talk, gave a brief tour of the evolution of the US Hispanic TV market, quoting some notes from Filemón López, former Senior VP of Strategic Operations at Comcast. López could not attend the discussion but is considered one of the pioneering executives of Hispanic TV.

Waterston commented that López worked for many years at Comcast and is one of the leaders in bringing the Hispanic market to Comcast and building its offering. Quoting Lopez’s notes, she said: “I was asked in 2001, after the purchase of AT&T Broadband, to go to Miami and lead the South Florida market for Comcast. I found a disorganized market with multiple corporate cultures, little control, and the most diverse market in subscribers. Being the first Hispanic leader in the market, what mattered to me the most was that we had neglected the Hispanic market: the programming was not right, the packages were out of reach for most, and on the radio were ads for DIRECTV advertising Hispanic packages and none for Comcast broadband. I immediately realized there was a great opportunity for Comcast to establish a strategy in both programming and content and prices and packages.”

Luis Torres-Bohl, president of Castalia, mentioned that in the 1980s when he worked for CBS in New York, an edition of Time Magazine had on the cover that Hispanics were the new thing, and, at that time, Hispanics were only 2 % of the population, expecting to grow by at most 3%. “Almost 40 years later, we have come a long way, and the market has changed dramatically. However, still in 2023, some people do not understand it.”

Lino García, head of Unan1mo Deportes, part of the founding team of ESPN Deportes with 20 years in the market this year, said he felt “blessed” that Disney and ESPN did not understand, as he did, the need to launch a Hispanic sports channel until 2002. “I was a cable executive in Puerto Rico in 1989, and I asked my Hispanic channel representative for a Hispanic version of ESPN,” he noted. “In 2003, I was fortunate to launch ESPN Deportes and make it grow.” He added that even marketing to Hispanics was so elementary, but today has become much more sophisticated. As examples, he mentioned Jorge Fiterre of Condista and Torres-Bohl of Castalia. “Both brought all that content from South America because it costs a lot of money to do it from scratch and get the market. The content is there, and this was the niche programming that reached people who wanted to see content from their country of origin. Then the big media companies realized there was a real market and started investing.”

Gustavo Aparicio, managing director of Spanglish Movies, highlighted the company’s active role in the FAST scenario. He said that FAST’s CPMs in the Hispanic market are already reaching the same level as the general market. “Nowadays, everyone recognizes the market. We are already almost 20% of the population (63 million, with estimates of reaching 100 million people very soon). Latinos contributed 6.2% of the Gross Domestic Product (GDP), reaching 12% next year.”

García highlighted he is exploring launching a channel with Unan1mo Deportes, currently only with digital and audio components.

Aparicio also highlighted the role of technology. “I think technology offers different opportunities to monetize content: subscriptions, advertising-based, ticket sales,” he said. Today, +7 billion people have mobile phones, only one billion are pay TV subscribers, and 2 billion have open TV. “People consume content from multiple sources. We do not depend on a platform; we bring content to the consumer, whether it is connected to TV, linear channels, or movie theaters. The more, the better; every dollar counts.”

Jorge Alberto Fiterre, partner at Condista LABS Technical Operations, said that although FAST continues to grow, he notices that operators have begun to be more selective with the channels they distribute.

Diario de Hoy

viernes, 20 de diciembre de 2024

Image

Santiago López y Diego Robino de Cimarrón: Queremos crecer en EE UU

Los uruguayos Santiago López y Diego Robino, dos de los socios de Cimarrón
Image
VIPS

• César Sabroso de A+E Networks LatAm: Orgullosos de haber creado en 2024 una estructura de contenido nueva que entregó resultados desde el primer día

• Dago García con La pena máxima 2 le da nueva vida a uno de sus clásicos cinematográficos

• Carlos Fajardo de SMARTFILMS: Invitamos a marcas con propósito que quieran unirse a nuestra comunidad para contar sus historias en 2025

• María Pía Astaburuaga, cocreadora de La cocinera: Inspirada en hechos reales la historia permite construir hasta cinco temporadas

PERSONAJE DE LA SEMANA

Amauri Soares, director ejecutivo de Estudios Globo y TV Globo

Amauri Soares de Globo
Image
ACTUALIDAD

• TelevisaUnivision y Atresmedia acordaron lanzar ViX en España a través de atresplayer en enero 2025

• Jornadas 2025 se realizará el 7 y 8 de octubre en el Hotel Hilton de Buenos Aires

• Onza Distribution se encargará de la distribución internacional de la serie Mamen Mayo de SkyShowtime

• Canal de streaming argentino Olga superó las 26,2 millones solo en YouTube en el último mes

• TV abierta y plataformas digitales lideran las preferencias de consumo audiovisual en México según IFT

• Cindie lanza su canal FAST en smart TVs de TCL en países de LatAm

• El proyecto educativo español Ventana Cinéfila llegó a más de 360 mil jóvenes espectadores en su quinta edición

Adria Marina de MasterChef Colombia

El picante de la chef Adria Marina: una de las claves del éxito de la décima temporada de Masterchef Colombia

Image
CONTENIDOS

• Telemundo cierra el año dominando múltiples géneros y horarios de TV lineal y un desempeño récord en redes sociales y digitales

• Univisión iniciará 2025 presentando su primera producción original de true crime en horario estelar C.D.I. (Código de investigación)

• MovieBox grabó serie Sin Límites en el Everest a 5.364 metros de altura

• Karla Sofia Gascón será una de las protagonistas de Las malas producida por About Entertainment, Infinity Hill y Suma Content

• Se revelaron primeras imágenes de Amor animal serie original de Prime Video producida por Underground

• Serie española Shared custody producida por The Immigrant de Fremantle debuta en Disney+ el 24 enero de 2025

Image
HOY

• PRODU | Diario entra en receso a partir de este lunes 23 por festividades

Image
VIPS
Image
Image

En 2001, el cine colombiano vivió un fenómeno con el lanzamiento de La pena máxima, película protagonizada por Enrique Carriazo y Robinson Díaz, que con el tiempo se ha vuelto icónica en el país. Luego de 23 años este título regresa a la pantalla grande con La pena máxima 2, nueva película de Dago García Producciones, hecha con el apoyo de Caracol Televisión. La cinta, dirigida por Mauricio Cruz Fortunato, se estrenará en salas de cine de Colombia el miércoles 25.

Image

Luego de haber celebrado una década de existencia, SMARTFILMS ya proyecta sus metas para 2025. Carlos Fajardo, VP Comercial de Marketing y Comunicaciones de Valencia Producciones, adelantó que uno de los objetivos principales será expandir el festival de cine hecho con celulares a nuevos mercados.

Image

María Pía Astaburuaga, cocreadora de la serie La cocinera y Leonardo Valsecchi, director de Contenidos de la productora chilena Valcine, conversaron con PRODU sobre esta serie, de la que afirman se pueden hacer cinco temporadas. La están ofreciendo como contenido original.

Image
ACTUALIDAD
Image
Image
Hotel Hilton Argentina
Image
Image
Migue Granados Olga
Image
Lamac confirmó que la valoración de calidad, sea positiva o negativa, es única para cada canal
Image
Maurice Van Sabben de DMD
Image
Image
CONTENIDOS
Image
Image
Image

La productora colombiana MovieBox continúa apostando por producciones filmadas en lugares exóticos del mundo. Este año estrenaron la serie El colombiano de Keko (grabada en Tanzania). Recientemente concluyeron también el rodaje de la serie Sin límites, que se realizó nada menos que en el Monte Everest, la montaña más alta del planeta con una altitud de 8.848 metros, localizada en la frontera entre Nepal y China.

Image
Image
Image

Disney+ ha lanzado el tráiler de la nueva serie original española Shared custody (Custodia repartida), la comedia dramática que marca el debut como director de TV de Javier Fesser, creador de Campeones. La serie estará disponible globalmente en Disney+ a partir del 24 de enero.

Image
HOY
Image