Alejandro Esquivel, Director of Entertainment and Special Events Production; “El Capi” Pérez, presenter; Adrián Ortega, general director of TV Azteca Content, and Coty Cagliolo, general manager of Fremantle Mexico, accompanied by the hostesses of 100 Mexicans that premiered on Monday 26th at 3pm on Azteca Uno
PRODU visited the set of the game show 100 Mexicans, a Mexican adaptation of the international format Family Feud created by Fremantle Media. The show premiered on TV Azteca’s Azteca Uno channel last Monday, August 26th, at 3PM.
We spoke with Carlos “El Capi” Pérez, the host; Martín Solmesky, the executive producer; Marcos Gorban, the showrunner; and Leonardo Daniel Linkovsky, the camera director. They shared insights into the production process and highlighted the show’s cutting-edge technology.
“Our crew of 120 people is divided into several teams, and many of them have worked on this show before. They know the ropes, and we all have a lot of fun creating this content. Unlike other shows, 100 Mexicans have a massive set. It’s a proven format that has been successful in 76 countries, thanks in part to its impeccable production design,” said Solmesky.
For Carlos “El Capi” Pérez, hosting 100 Mexicans was a dream come true. He recalled watching the Mexican version since he first arrived in Mexico and even represented the game during his time as a student.
“I’ve been playing 100 Mexicans all my life. I used to watch it at home with Marco Antonio Regil as the host, and I even incorporated it into my student activities. It’s incredible how my life has come full circle, leading me to the main stage of this show. I’m confident that many people will enjoy it. The key to this show’s success is its connection with the audience,” he said.
Gorban emphasized the global significance of 100 Mexicans and the ambitious nature of its first season on TV Azteca. He noted that Family Feud was one of the earliest television formats and has enjoyed enduring popularity in Mexico. “TV Azteca’s version features a massive stage, impressive cameras, cutting-edge lighting, and a visually striking set that enhances the show’s energy and storytelling. El Capi, as the host, is one of the most quick-witted individuals we’ve ever worked with,” he said.
Linkovsky explained: “Even though it’s a classic format, our version feels more dynamic and visually striking. The sheer size of the set, combined with the surrounding lights and ever-changing LED screens, creates a unique atmosphere for each stage of the game. We begin the show with vibrant colors, and then blues become prominent. The entire set is alive and enhances the game’s energy, making it more visually appealing for the audience.”
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