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#PRODUprimetime with Ríchard Izarra about the 30 years of Gastón Soso and his company Nocaut

June 19, 2024

Gastón Soso, co-founder of Nocaut: The concept of designing specifically for television screens had been an idea we'd harbored for some time

Gastón Soso, a co-founder of Nocaut, a creative services agency specializing in crafting campaigns and promotional materials for studios and platforms, is celebrating three decades of continuous work in the industry. #PRODUprimetime, hosted by Ríchard Izarra, explores Soso’s career and the journey he and his partners undertook to achieve their success, all while remaining based in his hometown of Rosario, Argentina.

“Thanks, Ríchard, for inviting us. It’s a great pleasure to be here. We always like to share our beginnings, because it highlights how far we’ve come.  Thirty years ago, when linear editing meant working with clunky cassette decks and non-linear editing was unheard of, our first foray into the audiovisual world was a surprisingly rewarding one: capturing ‘quinceañeras’ and weddings. They were cherished events for families, and we took pride in documenting them,” said Soso, Account Director and co-founding partner of Nocaut.

ROSARIO AS A BASE
Hailing from Rosario, Argentina (roughly 300 kilometers from Buenos Aires), the company shares its roots with soccer legend Lionel Messi.  While Miami has historically been a hub for Latin American media ventures, especially since 2000, they’ve established a presence there as well.

“We never felt the need to relocate. Although Miami is our current base, allowing us to expand our client network, staying in Rosario was always the plan. Back in 2000, the industry standard was to move to the US, especially Miami, for success. But being Latino, we were determined to stay put, even avoiding Buenos Aires.  With some creative resourcefulness, we figured out ways to send materials and collaborate with major TV networks, proving you don’t have to be geographically central to be successful,” says Soso in the #PRODUprimetime interview.

FIRST NOCAUT’S CUSTOMERS
Beyond their early ventures filming social gatherings, birthdays, and weddings, these three talented and resourceful friends started making a living in the audiovisual industry at a young age. By 2000, their entrepreneurial spirit led them to work with LAPTV, a company specializing in channel packages.

“Our journey began in 2001 with a company called LAPTV, a pioneering Atlanta-based firm whose signal package was carried by Moviecity, working with Juan Pablo Mascali, who has been a friend of ours for lifetime. We collaborated with them on their very first promotional campaign, a groundbreaking effort that seamlessly integrated design and animation into on-air advertising – a concept far ahead of its time, considering social media wasn’t even a factor back then. LAPTV was impressed with our work, and this successful project marked a turning point, solidifying their trust in us as their go-to partner for content promotion,” he explained.

“The concept of designing specifically for television screens had been an idea we’d harbored for some time,” he said. “This vision blossomed in Atlanta, where we landed a significant partnership with CNN en Español. This collaboration marked another major leap forward, propelling the expansion of our business in that region.”

SEBASTIÁN CARAZAY AND RODRIGO JÁVEGA
Three childhood friends from Rosario were the creators of Nocaut 30 years ago and they are still together; in addition to Soso, they are Sebastián Carazay and Rodrigo Jávega.

“What’s truly remarkable is that after 30 years, our company is still just the three of us. People are often surprised to hear that. It’s true, the early days were filled with fun and discovery. But as with any company, growth brought its challenges. We’ve navigated growing pains and tough decisions along the way. Yet, through it all, we’ve persevered. It’s been an incredible journey, and we’re excited to see what the future holds,” said Soso.

He explained how, even though the company has grown to over 20 employees, the core team structure established at its founding remains surprisingly intact. Everyone still plays a vital role, with the managers transitioning into more supervisory and client-relationship-focused positions.

From the beginning, each of us played a crucial role, like the legs of a stool. Sebastián, our audiovisual director, brought his expertise in video production.  Rodrigo’s design skills became the company’s design foundation. And, at the company’s inception, focused on animation.

WHY NOCAUT? HOW HAS THE COMPANY BEEN CHANGING?
Nocaut (meaning knockout in English) is a name that Rodrigo Jávega proposed more than 20 years ago in reference, obviously, to the term boxing.

“Author Julio Cortázar famously compared novels to boxing matches won by rounds (in 12 rounds, he said), while short stories by knockouts. They demand a powerful impact on the reader. This philosophy aligns perfectly with our work. For most of our journey, we’ve focused on short-form content like music videos and promotional pieces. We understood the power of these concise narratives and aimed to deliver a knockout punch with each project,” explained Soso.

In the interview, he discussed the dramatic shift in the promotional landscape.  He explained how his company has had to adapt, going from a pre-social media and AI world to one where these tools are central to their work.

“The need to constantly evolve and embrace new trends is paramount. Social media has become our primary focus for the past several years, and it’s clear that younger generations have a deep understanding of this space. Their expertise will be crucial as we build integrated teams that leverage the power of artificial intelligence, a technology that’s already impacting our industry,” said Soso.

CONTENT NEEDS TO BE PROMOTED
Soso referred to the importance of promoting the content. He concluded by highlighting the evolving nature of content promotion.  “Gone are the days of simple commercials for LAPTV promos in the 2000s – today’s campaigns are multi-faceted beasts.  From digital and social media to print, radio, and even augmented and virtual reality, the promotional landscape has exploded.  This constant growth necessitates continuous learning, a core value for our company.”

Diario de Hoy

viernes, 4 de octubre de 2024

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Juan Manuel Guimeráns de Spain Film Commission: Por cada euro que el Estado español invierte en apoyar rodajes internacionales vuelven 9

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VIPS

• Frank Scheuermann de Endemol Shine Boomdog: Tomamos un formato moldeable como LCDLF México y lo convertimos en multiplataforma

• Ben Odell de 3Pas Studios: Y llegaron de noche es una apuesta atrevida de una serie de comedia de época

• Christopher Vignettes de La academia: Preparamos una final espectacular a nivel tecnológico para este reality

• Cecilia Panetta de AXION energy: Telefe ha sido el socio ideal para nuestro contenido innovador Historias de estación que se estrena el 6 de octubre

Jorge Tijerina de WBD: Buscamos IP que representen un valor para la región y toquen la conciencia de la sociedad actual

Dani Da Rosa de HEi Network: Desde hace varios años trabajamos para convertir a Paraguay en un hub regional

Sergio Pizzolante de Secuoya Studios: Este ha sido un año maravilloso en el que estamos presentando cinco proyectos

Gonzalo Sagardía de Onza: Onza Americas está adaptando nuestra serie Atasco para el mercado latinoamericano

Michelle Alexander Del Barrio

Michelle Alexander de Del Barrio: Vinimos a pitchar, a buscar historias y socios para Leche de tigre

Raúl Prieto de Punta Fina: Ampliamos al equipo de creativos para cada nueva área de la empresa

Adrián Garelik de Flixxo: Estamos en Iberseries cerrando acuerdos para producir una serie completamente generada por IA

Los tres nuevos aliados de Secuoya Studios compartieron proyectos que producen o buscan producir

EFD Studios anunció contrucción del plató de producción virtual más grande de Europa e iniciativas de formación en MX y España

Ramiro Navarro de Frontera+: Abrimos una unidad de inteligencia artificial para publicidad

Luis Miguel Calvo y Javier Martínez de You First Originals: #SeAcabó: Diario de las campeonas para Netflix no pretende ser un relato neutral ni aséptico de lo que pasó

Lina Pérez de e-motion: ELPAUER respalda a empresas de producción audiovisual de Antioquia que quieren internacionalizar su oferta de servicios

Carlos Núñez fundador de Storyboard Media y creador del Sanfic

Carlos Núñez de Storyboard de Chile: Buscamos socios para las ficciones Salvajes y Habitación 205

Guionista Mauricio Ríos: Docuserie de James Rodríguez no es solo sobre fútbol sino que cuenta cosas que él ha debido enfrentar

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ACTUALIDAD

• TNT y Flow lanzaron su octavo proyecto conjunto, La mente del poder coproducida con Onceloops

• Spanish Screenings on Tour promoverá a España en el mercado anglosajón este noviembre

• Secuoya Content Group abre su nuevo hub de producción y sede corporativa en Madrid Content City

• Claire Macdonald de Natpe: Los principales estudios confirman asistencia a Natpe Global 2025

• Debut de La historia de Juana ubicó en primer lugar a Univisión en la televisión en español en Adultos 18-49 años

Un mirada al futuro del entretenimiento y la evolución de la TV ante nuevas tecnologías

La TV abierta por streaming como nueva estrategia de distribución

Emilio Aliaga de TV Azteca Digital: Crecimos en tráfico, audiencia y ventas como resultado de acuerdos estratégicos con OTT

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PERSONAJE DE LA SEMANA

Douglas Darfield, director general de la Alianza para la Calidad de la Medición Multimedia en México (ACAM)

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VIPS
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Frank Scheuermann, director de Contenidos Unscripted de Endemol Shine Boomdog, habla de los retos en producción que trae el 2024
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Y llegaron de noche, comedia y serie original de ViX, producida con 3Pas Studios y Visceral y protagonizada, producida y dirigida por Eugenio Derbez, fue el primer proyecto del que 3Pas Studios y la plataforma conversaron cuando decidieron hacer el acuerdo de first look hace un par de años. Ya ViX y 3Pas Studios han realizado en conjunto los originales: La noche del diablito (2022-2023), Radical (2023), Es por su bien (2024) y ahora Y llegaron de noche (2024). Además de que en la plataforma están disponibles: De viaje con los Derbez (2019) y De broma en broma (2021).

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ACTUALIDAD
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Martín Crespo de Warner Bros. Discovery y Antonio Álvarez de Flow
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Claire Macdonald de Natpe
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