ENGLISH

#PRODUprimetime with Ríchard Izarra about the 30 years of Gastón Soso and his company Nocaut

June 19, 2024

Gastón Soso, co-founder of Nocaut: The concept of designing specifically for television screens had been an idea we'd harbored for some time

Gastón Soso, a co-founder of Nocaut, a creative services agency specializing in crafting campaigns and promotional materials for studios and platforms, is celebrating three decades of continuous work in the industry. #PRODUprimetime, hosted by Ríchard Izarra, explores Soso’s career and the journey he and his partners undertook to achieve their success, all while remaining based in his hometown of Rosario, Argentina.

“Thanks, Ríchard, for inviting us. It’s a great pleasure to be here. We always like to share our beginnings, because it highlights how far we’ve come.  Thirty years ago, when linear editing meant working with clunky cassette decks and non-linear editing was unheard of, our first foray into the audiovisual world was a surprisingly rewarding one: capturing ‘quinceañeras’ and weddings. They were cherished events for families, and we took pride in documenting them,” said Soso, Account Director and co-founding partner of Nocaut.

ROSARIO AS A BASE
Hailing from Rosario, Argentina (roughly 300 kilometers from Buenos Aires), the company shares its roots with soccer legend Lionel Messi.  While Miami has historically been a hub for Latin American media ventures, especially since 2000, they’ve established a presence there as well.

“We never felt the need to relocate. Although Miami is our current base, allowing us to expand our client network, staying in Rosario was always the plan. Back in 2000, the industry standard was to move to the US, especially Miami, for success. But being Latino, we were determined to stay put, even avoiding Buenos Aires.  With some creative resourcefulness, we figured out ways to send materials and collaborate with major TV networks, proving you don’t have to be geographically central to be successful,” says Soso in the #PRODUprimetime interview.

FIRST NOCAUT’S CUSTOMERS
Beyond their early ventures filming social gatherings, birthdays, and weddings, these three talented and resourceful friends started making a living in the audiovisual industry at a young age. By 2000, their entrepreneurial spirit led them to work with LAPTV, a company specializing in channel packages.

“Our journey began in 2001 with a company called LAPTV, a pioneering Atlanta-based firm whose signal package was carried by Moviecity, working with Juan Pablo Mascali, who has been a friend of ours for lifetime. We collaborated with them on their very first promotional campaign, a groundbreaking effort that seamlessly integrated design and animation into on-air advertising – a concept far ahead of its time, considering social media wasn’t even a factor back then. LAPTV was impressed with our work, and this successful project marked a turning point, solidifying their trust in us as their go-to partner for content promotion,” he explained.

“The concept of designing specifically for television screens had been an idea we’d harbored for some time,” he said. “This vision blossomed in Atlanta, where we landed a significant partnership with CNN en Español. This collaboration marked another major leap forward, propelling the expansion of our business in that region.”

SEBASTIÁN CARAZAY AND RODRIGO JÁVEGA
Three childhood friends from Rosario were the creators of Nocaut 30 years ago and they are still together; in addition to Soso, they are Sebastián Carazay and Rodrigo Jávega.

“What’s truly remarkable is that after 30 years, our company is still just the three of us. People are often surprised to hear that. It’s true, the early days were filled with fun and discovery. But as with any company, growth brought its challenges. We’ve navigated growing pains and tough decisions along the way. Yet, through it all, we’ve persevered. It’s been an incredible journey, and we’re excited to see what the future holds,” said Soso.

He explained how, even though the company has grown to over 20 employees, the core team structure established at its founding remains surprisingly intact. Everyone still plays a vital role, with the managers transitioning into more supervisory and client-relationship-focused positions.

From the beginning, each of us played a crucial role, like the legs of a stool. Sebastián, our audiovisual director, brought his expertise in video production.  Rodrigo’s design skills became the company’s design foundation. And, at the company’s inception, focused on animation.

WHY NOCAUT? HOW HAS THE COMPANY BEEN CHANGING?
Nocaut (meaning knockout in English) is a name that Rodrigo Jávega proposed more than 20 years ago in reference, obviously, to the term boxing.

“Author Julio Cortázar famously compared novels to boxing matches won by rounds (in 12 rounds, he said), while short stories by knockouts. They demand a powerful impact on the reader. This philosophy aligns perfectly with our work. For most of our journey, we’ve focused on short-form content like music videos and promotional pieces. We understood the power of these concise narratives and aimed to deliver a knockout punch with each project,” explained Soso.

In the interview, he discussed the dramatic shift in the promotional landscape.  He explained how his company has had to adapt, going from a pre-social media and AI world to one where these tools are central to their work.

“The need to constantly evolve and embrace new trends is paramount. Social media has become our primary focus for the past several years, and it’s clear that younger generations have a deep understanding of this space. Their expertise will be crucial as we build integrated teams that leverage the power of artificial intelligence, a technology that’s already impacting our industry,” said Soso.

CONTENT NEEDS TO BE PROMOTED
Soso referred to the importance of promoting the content. He concluded by highlighting the evolving nature of content promotion.  “Gone are the days of simple commercials for LAPTV promos in the 2000s – today’s campaigns are multi-faceted beasts.  From digital and social media to print, radio, and even augmented and virtual reality, the promotional landscape has exploded.  This constant growth necessitates continuous learning, a core value for our company.”

Diario de Hoy

viernes, 22 de noviembre de 2024

Image

Premios PRODU reunió, homenajeó y celebró a la industria audiovisual iberoamericana en MIP Cancun

Image
PREMIOS PRODU DE LA INDUSTRIA 2024

• Laura Fernández Espeso de Mediapro: Cumplimos 30 años y PRODU 35, espero que este viaje continúe muchos años más

• Nagidmy Márquez, premio Convergencia Digital: Es una gran valoración de lo que estamos haciendo por la comunidad hispana y latinoamericana

• Doris Vogelmann, Pilar de la Industria: Te dan ganas de seguir trabajando y demostrando que el cielo es el límite

• Georgina Terán, Pilar de la Industria: Desde el inicio de EFD hemos apoyado a los creadores en sus sueños

• Leonardo Aranguibel, Pilar de la Industria: Este premio le pertenece a toda la gente con la que trabajo porque todo se hace en equipo

• Michelle Alexander, Pilar de la Industria: Es un reconocimiento muy importante para la producción audiovisual del Perú

• Miguel Smirnoff, Pilar de la Industria: Le hemos servido a otra gente para tomar decisiones afortunadas

• Roxana Rotundo, Pilar de la Industria: Es un reconocimiento a los que tenemos empresas propias y seguimos en estos mercados

• Teresa Fernández Valdés, Pilar de la Industria: Esto demuestra que con mi carrera he podido sumar un granito de arena

• Serie Griselda ganó el Gran Premio de Ficción de Premios PRODU

• El reality La casa de los famosos México ganó el Gran Premio de Entretenimiento en Premios PRODU

• Ríchard Izarra recibió reconocimiento de WAWA por los 35 años de PRODU y su apoyo constante a las mujeres y a la industria

• Valeria Marín y Julián Gil: Ser parte de los 35 años de PRODU y estar en esta premiación es muy especial

• Anouk Aarón de WBD: Cris Miró: Ella es una historia que trasciende fronteras y enciende conversaciones

• En los Premios PRODU de la Industria se premió a la sostenibilidad

• Galería Premios PRODU de la Industria 2024

Fiesta PRODU 35 años de Intermedya

Fiesta de los 35 años de PRODU patrocinada por Inter Medya fue una noche inolvidable en MIP Cancun 2024

Regina Marcilio e Isadora Filpi de Globo

Globo presentó su serie Manía de ti a los asistentes a MIP Cancun

Roxana Rotundo en el screening de VIP 2000 TV en MIP Cancun: Vendimos Valentina, mi amor especial a Panamá y Perú

Paulo Koelle de Prime Video: Queremos que LatAm esté al nivel del resto del mundo en cuanto a producción original

Marcas como nuevas aliadas de la industria audiovisual

Luis Morales, jefe de desarrollo de Televisión México de la productora Fábula

Luis Morales de Fabula: Latinoamérica es una región que se reinventa sobre sus crisis

Lucas Soussumi de Brazilian Content: Es la primera vez que venimos a MIP Cancun con una delegación tan grande

Kathy Sánchez de Non Stop: Estamos buscando historias impactantes y disruptivas y ofreciendo servicios de posproducción

Yolanda Benet, presidenta de Wide Angle Productions Group

Wide Angle Productions Group lleva la serie de bienestar holístico Reconecta a MIP Cancun 2024

Denice Cobayassi de Made In Spanish: Incursionamos en el doblaje de videojuegos con cinco proyectos para 2025

PERSONAJE DE LA SEMANA

Laura Fernández Espeso, CEO de The Mediapro Studio

Laura Fernández Espeso tiene más de 20 años de trayectoria
Image
PREMIOS PRODU DE LA INDUSTRIA 2024
Image
Image
Image
Image

La profesional del audiovisual Georgina Terán, fundadora de EFD, fue reconocida con un Premio PRODU como uno de los Pilares de la Industria durante la ceremonia en MIP Cancun.

Image
Image
Image
Image
Image
Image
Image
Marie Leguizamo, directora para México & US Hispanic de Banijay, recibió el galardón
Image
Image
Image
Image
Image