ENGLISH

Telemundo: Producing a reality show like La Isla: Desafío Extremo in Turkey presented a unique logistical challenge

Maribel Ramos-Weiner| August 13, 2024

Each filming location was meticulously chosen

While Telemundo has produced numerous reality shows outside the US in Latin America and the Caribbean, La Isla: Desafío Extremo (based on Caracol TV’s original El Desafío) marks their first production in Turkey. This venture is a collaboration with Acunmedya, the production company behind eight seasons of Exatlón USA, with a ninth season currently in development.

“This is our first time taking a reality show to the other side of the world. It’s an immense challenge that we’re incredibly excited about. We’re immersed in new cultures, overcoming unique logistical hurdles, and learning something new every day,” Francisco “Cisco” Suárez, Executive VP of Primetime Unscripted and Specials at NBCUniversal Telemundo Enterprises and Executive Producer of the project, told PRODU.

Francisco “Cisco” Suárez, EVP of Primetime Unscripted and Specials at NBCUniversal Telemundo Enterprises

Francisco “Cisco” Suárez, EVP of Primetime Unscripted and Specials at NBCUniversal Telemundo Enterprises

PRODUCING IN TURKEY

Suárez emphasized that working in Turkey has been an incredibly rewarding experience. “The people here are exceptionally hospitable and always welcoming. From the outset, they’ve made us feel right at home, even with the language and cultural differences.”

Suárez noted that producing a reality show in Turkey has presented significant challenges. “We encountered logistical and coordination hurdles due to the country’s distinct language, culture, and customs. Our team had to adjust to a different schedule, new work processes, and even unfamiliar dietary preferences.”

He described Turkey as an extraordinary country boasting stunning locations where Eastern and Western traditions intertwine. Each filming location was meticulously chosen. “From the vibrant energy of Istanbul to the pristine white-sand beaches and the awe-inspiring sandstone formations of Cappadocia, Turkey’s diverse landscapes not only enhance the visual appeal of the show but also contribute to its narrative depth. We hope our viewers are as captivated by these locations as we were in capturing them.”

Suárez explained that pre-production for La Isla: Desafío Extremo spanned approximately six months. During this phase, locations were scouted, casting was conducted, content was developed, and challenges were designed.

He stated that filming for the reality show will span three and a half months, covering over 4,000 miles across Turkey. “The series is planned for 66 three-hour episodes,” he added.

Javier Poza is the host

Javier Poza is the host

LOGISTICAL CHALLENGES

For Suárez, the greatest challenge of this production was orchestrating the countless details with precision. From transportation and meals to remote filming locations, meticulous planning was essential. “Constructing complex set-ups on mountaintops or coastlines is no easy feat, compounded by unpredictable weather conditions. We’ve had to halt production due to torrential downpours or blinding sandstorms.”

He noted that the challenges extended beyond the contestants to the production team as well. “Each day brings new adventures and opportunities to adapt and conquer obstacles together. While demanding, the experience is incredibly rewarding. It fosters team unity and teaches us resilience and creativity in the face of adversity,” he expressed enthusiastically.

TECHNOLOGY AND INNOVATION

When inquired about the technology employed in producing La Isla: Desafío Extremo, Suárez emphasized Telemundo’s commitment to utilizing state-of-the-art equipment for optimal production quality. “From high-definition cameras and drones capturing Turkey’s breathtaking landscapes to cutting-edge special effects, we meticulously attend to every detail. Our goal is to immerse our audience in the action, allowing them to experience every moment intensely.”

Suárez adds that this new competition offers an exhilarating and fresh experience for viewers. “With La Isla, we immerse both the audience and participants in an extreme survival adventure set in the unique landscape of Turkey.”

The participants not only face physical and mental trials but must also adapt to diverse living conditions across the three beaches

The participants not only face physical and mental trials but must also adapt to diverse living conditions across the three beaches

He noted that participants not only face physical and mental trials but must also adapt to diverse living conditions across our three beaches: Playa Alta, Playa Media, and Playa Baja. Each beach offers varying levels of comfort and resources, forcing participants to fully utilize their survival skills.

Telemundo’s innovation extends beyond the challenges faced by contestants. The show’s locations—from Istanbul to the Cappadocian landscapes—and diverse cast, which reflects the cultural richness of our audience, are key elements. “We promote inclusivity by giving voice to different stories and perspectives. Additionally, we prioritize the emotional journey of participants, showcasing their growth and development to foster a deep connection with viewers.”

360 EXPERIENCE

Suárez mentioned that to engage the audience, a 360-degree experience was created from the outset through digital platforms. “We’ll share exclusive behind-the-scenes footage, personal interviews, and never-before-seen moments. Our goal is not just for viewers to watch the show, but to forge a genuine connection with the participants by uncovering their stories, challenges, and triumphs,” he said.

Diario de Hoy

viernes, 4 de octubre de 2024

Image

Juan Manuel Guimeráns de Spain Film Commission: Por cada euro que el Estado español invierte en apoyar rodajes internacionales vuelven 9

Image
VIPS

• Frank Scheuermann de Endemol Shine Boomdog: Tomamos un formato moldeable como LCDLF México y lo convertimos en multiplataforma

• Ben Odell de 3Pas Studios: Y llegaron de noche es una apuesta atrevida de una serie de comedia de época

• Christopher Vignettes de La academia: Preparamos una final espectacular a nivel tecnológico para este reality

• Cecilia Panetta de AXION energy: Telefe ha sido el socio ideal para nuestro contenido innovador Historias de estación que se estrena el 6 de octubre

Jorge Tijerina de WBD: Buscamos IP que representen un valor para la región y toquen la conciencia de la sociedad actual

Dani Da Rosa de HEi Network: Desde hace varios años trabajamos para convertir a Paraguay en un hub regional

Sergio Pizzolante de Secuoya Studios: Este ha sido un año maravilloso en el que estamos presentando cinco proyectos

Gonzalo Sagardía de Onza: Onza Americas está adaptando nuestra serie Atasco para el mercado latinoamericano

Michelle Alexander Del Barrio

Michelle Alexander de Del Barrio: Vinimos a pitchar, a buscar historias y socios para Leche de tigre

Raúl Prieto de Punta Fina: Ampliamos al equipo de creativos para cada nueva área de la empresa

Adrián Garelik de Flixxo: Estamos en Iberseries cerrando acuerdos para producir una serie completamente generada por IA

Los tres nuevos aliados de Secuoya Studios compartieron proyectos que producen o buscan producir

EFD Studios anunció contrucción del plató de producción virtual más grande de Europa e iniciativas de formación en MX y España

Ramiro Navarro de Frontera+: Abrimos una unidad de inteligencia artificial para publicidad

Luis Miguel Calvo y Javier Martínez de You First Originals: #SeAcabó: Diario de las campeonas para Netflix no pretende ser un relato neutral ni aséptico de lo que pasó

Lina Pérez de e-motion: ELPAUER respalda a empresas de producción audiovisual de Antioquia que quieren internacionalizar su oferta de servicios

Carlos Núñez fundador de Storyboard Media y creador del Sanfic

Carlos Núñez de Storyboard de Chile: Buscamos socios para las ficciones Salvajes y Habitación 205

Guionista Mauricio Ríos: Docuserie de James Rodríguez no es solo sobre fútbol sino que cuenta cosas que él ha debido enfrentar

Image
ACTUALIDAD

• TNT y Flow lanzaron su octavo proyecto conjunto, La mente del poder coproducida con Onceloops

• Spanish Screenings on Tour promoverá a España en el mercado anglosajón este noviembre

• Secuoya Content Group abre su nuevo hub de producción y sede corporativa en Madrid Content City

• Claire Macdonald de Natpe: Los principales estudios confirman asistencia a Natpe Global 2025

• Debut de La historia de Juana ubicó en primer lugar a Univisión en la televisión en español en Adultos 18-49 años

Un mirada al futuro del entretenimiento y la evolución de la TV ante nuevas tecnologías

La TV abierta por streaming como nueva estrategia de distribución

Emilio Aliaga de TV Azteca Digital: Crecimos en tráfico, audiencia y ventas como resultado de acuerdos estratégicos con OTT

Nayura Rojas de AT&T México: Buscamos conectar a más personas y ofrecerles experiencias inmersivas como el gaming

PERSONAJE DE LA SEMANA

Douglas Darfield, director general de la Alianza para la Calidad de la Medición Multimedia en México (ACAM)

Image
VIPS
Image
Frank Scheuermann, director de Contenidos Unscripted de Endemol Shine Boomdog, habla de los retos en producción que trae el 2024
Image

Y llegaron de noche, comedia y serie original de ViX, producida con 3Pas Studios y Visceral y protagonizada, producida y dirigida por Eugenio Derbez, fue el primer proyecto del que 3Pas Studios y la plataforma conversaron cuando decidieron hacer el acuerdo de first look hace un par de años. Ya ViX y 3Pas Studios han realizado en conjunto los originales: La noche del diablito (2022-2023), Radical (2023), Es por su bien (2024) y ahora Y llegaron de noche (2024). Además de que en la plataforma están disponibles: De viaje con los Derbez (2019) y De broma en broma (2021).

Image
Image
Image
ACTUALIDAD
Image
Martín Crespo de Warner Bros. Discovery y Antonio Álvarez de Flow
Image
Image
Image
Claire Macdonald de Natpe
Image
Videos relacionados (2)