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TelevisaUnivision: El Amor No Tiene Receta is a story that will transcend

Maribel Ramos-Weiner| March 9, 2024

Juan Osorio: El Amor No Tiene Receta addresses themes that connect with the public

El Amor No Tiene Receta (90×60′), an original TelevisaUnivisión production that debuted in Mexico on Monday, February 19 on Las Estrellas and in the US on Univisión on Monday the 26th, “It’s going to be a story that will transcend because it carries great content” said its producer Juan Osorio,

Osorio pointed out that it is “an original story, very specific, direct, avoiding to extend the stories, and where the main star is the six-year-old, Mía, a tremendous actress. She is going to steal everyone’s hearts.”

He highlighted that El Amor No Tiene Receta addresses themes that connect with the public. “It is another alternative to our telenovela, without the ingredients of comedy, melodrama, and our great villain, Altaír Jarabo, working with Acela Robinson. We have taken care of the details to have a complete stew.”

Among the innovative elements of the production is the character of Paz Roble (Claudia Martín). “A positive woman, a fighter, always smiling despite adverse circumstances, a woman who lives by selling basket tacos, an element that had never been used, and we exploited it. She began with her taquitos and her baskets, and suddenly, she expanded into an industry after having several distributors of the same product, and her mother makes the coffee. We achieve the integration through great photography and direction by Eric Morales and Bonnie Cartas.”

Another innovation regarding the story is the difficult issue of the sale of children. “The protagonist has a baby, and her husband, an ambitious man, sells it for a lot of money to buy drugs. We see a woman unable to hug her baby but struggling to find him, to dream she with her baby sooner or later,” he pointed out.

The story also addresses inclusion by including the trans actress Coco Máxima. “Her participation is robust. She talks about her childhood as a boy, how she used her mother’s shoes, and all the process she went through to be accepted, to enter society, to show the human being that he is,” Osorio explained.

“The world is evolving; society is opening up. The sun cannot be covered with one finger. Today, we must have openness for all human beings; members of the LGBTQ community have the same rights as any person. That was why we decided that the telenovela genre must include characters from this community who suffer, love, and have the same feelings as any regular human being. I think the message is clear. We are not being disrespectful. Furthermore, Coco has a great responsibility in identifying and exalting this community and ensuring it is respected,” he said.

Another innovation is including elderly love in this story.

CROSSING OF UNIVERSES
El Amor No Tiene Receta used several central locations. Among them are a virgin beach in Cancun, a densely populated neighborhood in Mexico City, and large mansions.

“I am happy because the novel begins in a location that I am sure the US people will love, a virgin beach with a wonderful development in Cancun. I love it because it offers people beautiful and safe places to rest,” said Osorio.

He added that they included one of the most populated neighborhoods in Mexico City, with almost two million inhabitants. “This neighborhood is compelling because there is how to stand out, how to stand out, and that was an important part too.” Plus, “some incredible houses, so the concept is at the crossroads of universes,” he added.

He noted that 180 people coexisted daily between technical areas, actors, and production. They had two production units: one in the forum and another on location.

“The funny thing here and what I must achieve is unify the criteria of the directors and of the people who participate so that there is no disparity when it comes to being on the air. It is amusing to see how Eric Morales and Bonnie Cartas agree. I have to be the person who makes the last decision. Still, the work is much easier when you are surrounded by professional and committed people, passionate about what we do,” he commented.

He highlighted that another “very nice” proposal is the original musical theme, “Si o Si,” performed by Emilio Osorio, which can connect with young people and the story.

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Diario de Hoy

viernes, 22 de noviembre de 2024

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Premios PRODU reunió, homenajeó y celebró a la industria audiovisual iberoamericana en MIP Cancun

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PREMIOS PRODU DE LA INDUSTRIA 2024

• Laura Fernández Espeso de Mediapro: Cumplimos 30 años y PRODU 35, espero que este viaje continúe muchos años más

• Nagidmy Márquez, premio Convergencia Digital: Es una gran valoración de lo que estamos haciendo por la comunidad hispana y latinoamericana

• Doris Vogelmann, Pilar de la Industria: Te dan ganas de seguir trabajando y demostrando que el cielo es el límite

• Georgina Terán, Pilar de la Industria: Desde el inicio de EFD Studios hemos apoyado a los creadores en sus sueños

• Leonardo Aranguibel, Pilar de la Industria: Este premio le pertenece a toda la gente con la que trabajo porque todo se hace en equipo

• Michelle Alexander, Pilar de la Industria: Es un reconocimiento muy importante para la producción audiovisual del Perú

• Miguel Smirnoff, Pilar de la Industria: Le hemos servido a otra gente para tomar decisiones afortunadas

• Roxana Rotundo, Pilar de la Industria: Es un reconocimiento a los que tenemos empresas propias y seguimos en estos mercados

• Teresa Fernández Valdés, Pilar de la Industria: Esto demuestra que con mi carrera he podido sumar un granito de arena

• Serie Griselda ganó el Gran Premio de Ficción de Premios PRODU

• El reality La casa de los famosos México ganó el Gran Premio de Entretenimiento en Premios PRODU

• Ríchard Izarra recibió reconocimiento de WAWA por los 35 años de PRODU y su apoyo constante a las mujeres y a la industria

• Valeria Marín y Julián Gil: Ser parte de los 35 años de PRODU y estar en esta premiación es muy especial

• Anouk Aarón de WBD: Cris Miró: Ella es una historia que trasciende fronteras y enciende conversaciones

• En los Premios PRODU de la Industria se premió a la sostenibilidad

• Galería Premios PRODU de la Industria 2024

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Fiesta de los 35 años de PRODU patrocinada por Inter Medya fue una noche inolvidable en MIP Cancun 2024

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Globo presentó su serie Manía de ti a los asistentes a MIP Cancun

Roxana Rotundo en el screening de VIP 2000 TV en MIP Cancun: Vendimos Valentina, mi amor especial a Panamá y Perú

Paulo Koelle de Prime Video: Queremos que LatAm esté al nivel del resto del mundo en cuanto a producción original

Marcas como nuevas aliadas de la industria audiovisual

Luis Morales, jefe de desarrollo de Televisión México de la productora Fábula

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Kathy Sánchez de Non Stop: Estamos buscando historias impactantes y disruptivas y ofreciendo servicios de posproducción

Yolanda Benet, presidenta de Wide Angle Productions Group

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PERSONAJE DE LA SEMANA

Laura Fernández Espeso, CEO de The Mediapro Studio

Laura Fernández Espeso tiene más de 20 años de trayectoria
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PREMIOS PRODU DE LA INDUSTRIA 2024
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La profesional del audiovisual Georgina Terán, fundadora de EFD Studios, fue reconocida con un Premio PRODU como uno de los Pilares de la Industria durante la ceremonia en MIP Cancun.

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Marie Leguizamo, directora para México & US Hispanic de Banijay, recibió el galardón
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