MERCADEO

Dario Calequi of Pickle Music: I’m forever fascinated by how sound tells the same story but in a thousand different ways

Claudia Smolansky| 20 de julio de 2022

Darío Calequi

Dario Calequi is the sound designer, composer and mixing engineer at Pickle Music who was recently honored at the 2022 Cannes Lions Festival together with We Believers for the award-winning work they did for Burger King and Corona beer. About the Non Artificial campaign for Burger King, Calequi noted that it was an odd sort of project since it started as a classic idea backed by piano music, then spun off into something a little “wilder, with a rough tough sound, something that is, as we sometimes say, down to earth, that you hear on the streets, that you hear among ordinary folks and has its own personality,” he said. As for the changes made, Calequi said it is normal in the filming process to begin to have doubts about the idea and to change it. But in the end, the team always agreed that the sound chosen was “on the right track.”“Sometimes one tires and enters into a kind of ‘negative hour.’ Everything seems bad and sounds ugly. For that reason it’s sometimes good to rest your ears awhile. Afterwards we obviously kept working and we produced several rounds of both music and of sound design, for which we tried out several approaches. I believe something very spontaneous was the result and I was constantly fascinated by how sound can tell the same story in a thousand different ways. I enjoyed this project so much,” he said.About working for Burger King, which was also honored this year at Cannes as Creative Brand of the Year, Calequi said it taught him to be “ready for anything.” “It’s a very versatile brand with all kinds of projects and for markets at every level. One day it’s a spot with only full sound design and another day it’s a song with thousands of singers. Each project is different and that keeps you on the alert and always learning,” he said. Every case, brand and campaign in the industry is different. In that sense, Calequi said his experience with Corona’s Native Sportscaster campaign was different from the one before, since this time the creative team had a clear idea about what it wanted with regard to the sound. “It took a lot of mixing work to achieve that folk sound typical of the setting and also much work on sound design, since there were many elements and the idea was that everything should have its time and place. Live recordings were mixed with studio recordings and it all had to sound organic as if it were coming from the same place and time. And the music had to come together with the sound design as if they were both one and the same. It was all worked out scene by scene. All these projects take hours and hours of trying things out, of adding, subtracting , changing, and even putting things back the way they had started, until we all felt that each scene, each sound, each dialogue, each bit of music strengthened the idea and helped tell the story,” the sound master said. For Calequi, all is born of a good idea, though he sometimes believes that even if you have one, it’s hard to carry it out. “I believe that just as important as a good shoot or a good script or a good idea is good sound or good sound design or good music. This makes it all take on another dimension and strengthens the basic idea. When I say good I’m not saying it has to sound hi-fi, but that someone took the trouble to think what was the best sound needed to strengthen the basic idea. I believe that afterwards when it is seen and heard, that makes all the difference.”Finally, among the changes he observes in the industry, he said that following Covid 19 a new era has begun – for example the online sessions shared by people in different parts of the world. “The arrival of Dolby Atmos surround sound technology is something that is now totally installed. We’ll see what happens, whether it’s here to stay or ends up being something a little eccentric. I believe we look for more and more quality in audio and the good ideas of sound design because we’re used to hearing it in the series we watch. I believe that people today pay a lot more attention to all that than in years gone by,” Calequi said.

Diario de Hoy

viernes, 22 de noviembre de 2024

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Premios PRODU reunió, homenajeó y celebró a la industria audiovisual iberoamericana en MIP Cancun

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PREMIOS PRODU DE LA INDUSTRIA 2024

• Laura Fernández Espeso de Mediapro: Cumplimos 30 años y PRODU 35, espero que este viaje continúe muchos años más

• Nagidmy Márquez, premio Convergencia Digital: Es una gran valoración de lo que estamos haciendo por la comunidad hispana y latinoamericana

• Doris Vogelmann, Pilar de la Industria: Te dan ganas de seguir trabajando y demostrando que el cielo es el límite

• Georgina Terán, Pilar de la Industria: Desde el inicio de EFD hemos apoyado a los creadores en sus sueños

• Leonardo Aranguibel, Pilar de la Industria: Este premio le pertenece a toda la gente con la que trabajo porque todo se hace en equipo

• Michelle Alexander, Pilar de la Industria: Es un reconocimiento muy importante para la producción audiovisual del Perú

• Miguel Smirnoff, Pilar de la Industria: Le hemos servido a otra gente para tomar decisiones afortunadas

• Roxana Rotundo, Pilar de la Industria: Es un reconocimiento a los que tenemos empresas propias y seguimos en estos mercados

• Teresa Fernández Valdés, Pilar de la Industria: Esto demuestra que con mi carrera he podido sumar un granito de arena

• Serie Griselda ganó el Gran Premio de Ficción de Premios PRODU

• El reality La casa de los famosos México ganó el Gran Premio de Entretenimiento en Premios PRODU

• Ríchard Izarra recibió reconocimiento de WAWA por los 35 años de PRODU y su apoyo constante a las mujeres y a la industria

• Valeria Marín y Julián Gil: Ser parte de los 35 años de PRODU y estar en esta premiación es muy especial

• Anouk Aarón de WBD: Cris Miró: Ella es una historia que trasciende fronteras y enciende conversaciones

• En los Premios PRODU de la Industria se premió a la sostenibilidad

• Galería Premios PRODU de la Industria 2024

Fiesta PRODU 35 años de Intermedya

Fiesta de los 35 años de PRODU patrocinada por Inter Medya fue una noche inolvidable en MIP Cancun 2024

Regina Marcilio e Isadora Filpi de Globo

Globo presentó su serie Manía de ti a los asistentes a MIP Cancun

Roxana Rotundo en el screening de VIP 2000 TV en MIP Cancun: Vendimos Valentina, mi amor especial a Panamá y Perú

Paulo Koelle de Prime Video: Queremos que LatAm esté al nivel del resto del mundo en cuanto a producción original

Marcas como nuevas aliadas de la industria audiovisual

Luis Morales, jefe de desarrollo de Televisión México de la productora Fábula

Luis Morales de Fabula: Latinoamérica es una región que se reinventa sobre sus crisis

Lucas Soussumi de Brazilian Content: Es la primera vez que venimos a MIP Cancun con una delegación tan grande

Kathy Sánchez de Non Stop: Estamos buscando historias impactantes y disruptivas y ofreciendo servicios de posproducción

Yolanda Benet, presidenta de Wide Angle Productions Group

Wide Angle Productions Group lleva la serie de bienestar holístico Reconecta a MIP Cancun 2024

Denice Cobayassi de Made In Spanish: Incursionamos en el doblaje de videojuegos con cinco proyectos para 2025

PERSONAJE DE LA SEMANA

Laura Fernández Espeso, CEO de The Mediapro Studio

Laura Fernández Espeso tiene más de 20 años de trayectoria
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PREMIOS PRODU DE LA INDUSTRIA 2024
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La profesional del audiovisual Georgina Terán, fundadora de EFD, fue reconocida con un Premio PRODU como uno de los Pilares de la Industria durante la ceremonia en MIP Cancun.

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Marie Leguizamo, directora para México & US Hispanic de Banijay, recibió el galardón
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