MERCADEO

PRODU Opinión- Louis Maldonado de d expósito & Partners: Super Bowl Ads, A Touchdown but No Conversion

Liz Unamo| 3 de febrero de 2020

Louis Maldonado1

Super Bowl advertising has come a long way. This year’s commercials were no longer limited to male targets with creative using guy humor to get a good laugh and be memorable. The categories represented were no longer dominated by the more traditional ones, like beer, soft drinks, snacks and automobiles, but included technology, beauty and, of course, politics. Female-targeted spots were in full force, with empowering, #FutureIsFemale-themed creative including Secret, Olay and Genesis; as were messages of sustainability from Saucony and SodaStream. The casting selection made major strides in terms of diversity, with spots featuring protagonists representing the Black, Asian, Hispanic, 50-plus and LGBTQ+ communities.
 
While Super Bowl advertising has made major strides at reflecting the new American reality, my overall assessment is that this year’s portfolio scored a touchdown without achieving the extra point conversion. That’s because no brand truly seized the opportunity to connect with the Latino consumer during a Super Bowl that was deeply infused with Latino culture and energy. The backdrop was Miami, a city that bridges the U.S. and Latin America. Demi Lovato, who is of Mexican and Portuguese heritage, opened the show by singing the National Anthem. The halftime show entertainment came courtesy of Puerto Rico and Colombia, headlined by none other than Jennifer López and Shakira, two Latina global superstars whose fandom knows no boundaries. Together with Bad Bunny and J. Balvin, two of today’s hottest and most trending artists, they gave us a sensational celebration of Latino culture that was fit for the global stage and indicative of our influence on American mainstream culture. I asked my fellow partner and CCO at our agency, Paco Olavarrieta, for his thoughts, who said, “The halftime show was an epic ad for our brand as a Latino community and a fantastic showcase of our vibrant culture with zest for life. It’s now forever part of this quintessential American sport, and it made me proud of being Latino in this country; not to mention it made me want to move my hips!”
 
Despite all of this, the advertising shown largely ignored America’s largest minority group. Sure, Hyundai tapped Dominican MLB player, Big Papi, with some good-natured ribbing over his accent, and P&G tapped Sofia Vergara and her one-of-a-kind personality for a spot that featured multiple brands. But overall, advertisers fell short of connecting with Latinos in a way that matched our contributions to and viewership of this iconic festivity. Where were the brands like Modelo Especial, that pay tribute to the immigrant, working-class families that help build this country?  Why didn’t we see Spanish-language ads with English subtitles, like we did for Buchanan’s Whiskey during the World Series? While true there was a commercial for Presidente Beer that featured Alex Rodriguez sharing his prideful story as a son of Dominican immigrants, that creative only aired in Miami and New York.
 
Granted, at approximately $6 million for a :30 national spot, we can’t expect all brands to make that investment. However, given the expanded and evolved level of storytelling in this year’s Super Bowl advertising, and since many brands that did invest have had Hispanic-targeted programs for decades, I would have hoped to see at least one commercial that features a Latino-centric story that transcends culture and speaks to the masses. Making such a statement would go a long way towards courting the Latino consumer by reflecting the brand’s understanding of today’s new America; one where the Latino community has no doubt helped build this country, both figuratively and literally, yet hasn’t felt much love given the socio-political environment. Instead, advertisers fumbled the ball and left Hispanic consumers singing J-Lo’s song, asking themselves, “¿y el anillo pa’ cuándo?” (where’s the ring?).
 
Perhaps the long held assumption that we Latinos only watch soccer prevailed, yet again, despite the fact that the Super Bowl consistently ranks as the #1 TV program viewed among Hispanics regardless of language, year over year. Perhaps we in the advertising industry need to do a better job at informing and even challenging our clients to get with the times so they do not miss out on these types of opportunities to make a profound statement on a global stage. Perhaps I should be content with the fact that the portfolio of advertising shown has evolved to be much more diverse and inclusive, with creative that addresses timely topics that really matter. While I do commend the progress made by the advertising community, we still have room for improvement. Next year, let’s convert every point at Super Bowl LV in Tampa, another Latino-oriented city where the industry can really score big by truly reflecting today’s New America.

By
Louis Maldonado 
Partner & Managing Director
d expósito & Partners

Diario de Hoy

viernes, 20 de diciembre de 2024

Image

Santiago López y Diego Robino de Cimarrón: Queremos crecer en EE UU

Los uruguayos Santiago López y Diego Robino, dos de los socios de Cimarrón
Image
VIPS

• César Sabroso de A+E Networks LatAm: Orgullosos de haber creado en 2024 una estructura de contenido nueva que entregó resultados desde el primer día

• Dago García con La pena máxima 2 le da nueva vida a uno de sus clásicos cinematográficos

• Carlos Fajardo de SMARTFILMS: Invitamos a marcas con propósito que quieran unirse a nuestra comunidad para contar sus historias en 2025

• María Pía Astaburuaga, cocreadora de La cocinera: Inspirada en hechos reales la historia permite construir hasta cinco temporadas

PERSONAJE DE LA SEMANA

Amauri Soares, director ejecutivo de Estudios Globo y TV Globo

Amauri Soares de Globo
Image
ACTUALIDAD

• TelevisaUnivision y Atresmedia acordaron lanzar ViX en España a través de atresplayer en enero 2025

• Jornadas 2025 se realizará el 7 y 8 de octubre en el Hotel Hilton de Buenos Aires

• Onza Distribution se encargará de la distribución internacional de la serie Mamen Mayo de SkyShowtime

• Canal de streaming argentino Olga superó las 26,2 millones solo en YouTube en el último mes

• TV abierta y plataformas digitales lideran las preferencias de consumo audiovisual en México según IFT

• Cindie lanza su canal FAST en smart TVs de TCL en países de LatAm

• El proyecto educativo español Ventana Cinéfila llegó a más de 360 mil jóvenes espectadores en su quinta edición

Adria Marina de MasterChef Colombia

El picante de la chef Adria Marina: una de las claves del éxito de la décima temporada de Masterchef Colombia

Image
CONTENIDOS

• Telemundo cierra el año dominando múltiples géneros y horarios de TV lineal y un desempeño récord en redes sociales y digitales

• Univisión iniciará 2025 presentando su primera producción original de true crime en horario estelar C.D.I. (Código de investigación)

• MovieBox grabó serie Sin Límites en el Everest a 5.364 metros de altura

• Karla Sofia Gascón será una de las protagonistas de Las malas producida por About Entertainment, Infinity Hill y Suma Content

• Se revelaron primeras imágenes de Amor animal serie original de Prime Video producida por Underground

• Serie española Shared custody producida por The Immigrant de Fremantle debuta en Disney+ el 24 enero de 2025

Image
HOY

• PRODU | Diario entra en receso a partir de este lunes 23 por festividades

Image
VIPS
Image
Image

En 2001, el cine colombiano vivió un fenómeno con el lanzamiento de La pena máxima, película protagonizada por Enrique Carriazo y Robinson Díaz, que con el tiempo se ha vuelto icónica en el país. Luego de 23 años este título regresa a la pantalla grande con La pena máxima 2, nueva película de Dago García Producciones, hecha con el apoyo de Caracol Televisión. La cinta, dirigida por Mauricio Cruz Fortunato, se estrenará en salas de cine de Colombia el miércoles 25.

Image

Luego de haber celebrado una década de existencia, SMARTFILMS ya proyecta sus metas para 2025. Carlos Fajardo, VP Comercial de Marketing y Comunicaciones de Valencia Producciones, adelantó que uno de los objetivos principales será expandir el festival de cine hecho con celulares a nuevos mercados.

Image

María Pía Astaburuaga, cocreadora de la serie La cocinera y Leonardo Valsecchi, director de Contenidos de la productora chilena Valcine, conversaron con PRODU sobre esta serie, de la que afirman se pueden hacer cinco temporadas. La están ofreciendo como contenido original.

Image
ACTUALIDAD
Image
Image
Hotel Hilton Argentina
Image
Image
Migue Granados Olga
Image
Lamac confirmó que la valoración de calidad, sea positiva o negativa, es única para cada canal
Image
Maurice Van Sabben de DMD
Image
Image
CONTENIDOS
Image
Image
Image

La productora colombiana MovieBox continúa apostando por producciones filmadas en lugares exóticos del mundo. Este año estrenaron la serie El colombiano de Keko (grabada en Tanzania). Recientemente concluyeron también el rodaje de la serie Sin límites, que se realizó nada menos que en el Monte Everest, la montaña más alta del planeta con una altitud de 8.848 metros, localizada en la frontera entre Nepal y China.

Image
Image
Image

Disney+ ha lanzado el tráiler de la nueva serie original española Shared custody (Custodia repartida), la comedia dramática que marca el debut como director de TV de Javier Fesser, creador de Campeones. La serie estará disponible globalmente en Disney+ a partir del 24 de enero.

Image
HOY
Image