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PRODU Opinion- Louis Maldonado de d expósito & Partners: Super Bowl LIV Advertising, A Touchdown but No Conversion

Liz Unamo| 3 de febrero de 2020

Louis Maldonado1

Super Bowl advertising has come a long way. This year’s commercials were no longer limited to male targets with creative using guy humor to get a good laugh and be memorable. The categories represented were no longer dominated by the more traditional ones, like beer, soft drinks, snacks and automobiles, but included technology, beauty and, of course, politics. Female-targeted spots were in full force, with empowering, #FutureIsFemale-themed creative including Secret, Olay and Genesis; as were messages of sustainability from Saucony and SodaStream. The casting selection made major strides in terms of diversity, with spots featuring protagonists representing the Black, Asian, Hispanic, 50-plus and LGBTQ+ communities. While Super Bowl advertising has made major strides at reflecting the new American reality, my overall assessment is that this year’s portfolio scored a touchdown without achieving the extra point conversion. That’s because no brand truly seized the opportunity to connect with the Latino consumer during a Super Bowl that was deeply infused with Latino culture and energy. The backdrop was Miami, a city that bridges the U.S. and Latin America. Demi Lovato, who is of Mexican and Portuguese heritage, opened the show by singing the National Anthem. The halftime show entertainment came courtesy of Puerto Rico and Colombia, headlined by none other than Jennifer López and Shakira, two Latina global superstars whose fandom knows no boundaries. Together with Bad Bunny and J. Balvin, two of today’s hottest and most trending artists, they gave us a sensational celebration of Latino culture that was fit for the global stage and indicative of our influence on American mainstream culture. I asked my fellow partner and CCO at our agency, Paco Olavarrieta, for his thoughts, who said, “The halftime show was an epic ad for our brand as a Latino community and a fantastic showcase of our vibrant culture with zest for life. It’s now forever part of this quintessential American sport, and it made me proud of being Latino in this country; not to mention it made me want to move my hips!” Despite all of this, the advertising shown largely ignored America’s largest minority group. Sure, Hyundai tapped Dominican MLB player, Big Papi, with some good-natured ribbing over his accent, and P&G tapped Sofia Vergara and her one-of-a-kind personality for a spot that featured multiple brands. But overall, advertisers fell short of connecting with Latinos in a way that matched our contributions to and viewership of this iconic festivity. Where were the brands like Modelo Especial, that pay tribute to the immigrant, working-class families that help build this country? Why didn’t we see Spanish-language ads with English subtitles, like we did for Buchanan’s Whiskey during the World Series? While true there was a commercial for Presidente Beer that featured Alex Rodriguez sharing his prideful story as a son of Dominican immigrants, that creative only aired in Miami and New York. Granted, at approximately $6 million for a :30 national spot, we can’t expect all brands to make that investment. However, given the expanded and evolved level of storytelling in this year’s Super Bowl advertising, and since many brands that did invest have had Hispanic-targeted programs for decades, I would have hoped to see at least one commercial that features a Latino-centric story that transcends culture and speaks to the masses. Making such a statement would go a long way towards courting the Latino consumer by reflecting the brand’s understanding of today’s new America; one where the Latino community has no doubt helped build this country, both figuratively and literally, yet hasn’t felt much love given the socio-political environment. Instead, advertisers fumbled the ball and left Hispanic consumers singing J-Lo’s song, asking themselves, “¿y el anillo pa’ cuándo?” (where’s the ring?). Perhaps the long held assumption that we Latinos only watch soccer prevailed, yet again, despite the fact that the Super Bowl consistently ranks as the #1 TV program viewed among Hispanics regardless of language, year over year. Perhaps we in the advertising industry need to do a better job at informing and even challenging our clients to get with the times so they do not miss out on these types of opportunities to make a profound statement on a global stage. Perhaps I should be content with the fact that the portfolio of advertising shown has evolved to be much more diverse and inclusive, with creative that addresses timely topics that really matter. While I do commend the progress made by the advertising community, we still have room for improvement. Next year, let’s convert every point at Super Bowl LV in Tampa, another Latino-oriented city where the industry can really score big by truly reflecting today’s New America.By Louis Maldonado Partner & Managing Director d expósito & Partners

Diario de Hoy

viernes, 4 de octubre de 2024

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Juan Manuel Guimeráns de Spain Film Commission: Por cada euro que el Estado español invierte en apoyar rodajes internacionales vuelven 9

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VIPS

• Frank Scheuermann de Endemol Shine Boomdog: Tomamos un formato moldeable como LCDLF México y lo convertimos en multiplataforma

• Ben Odell de 3Pas Studios: Y llegaron de noche es una apuesta atrevida de una serie de comedia de época

• Christopher Vignettes de La academia: Preparamos una final espectacular a nivel tecnológico para este reality

• Cecilia Panetta de AXION energy: Telefe ha sido el socio ideal para nuestro contenido innovador Historias de estación que se estrena el 6 de octubre

Jorge Tijerina de WBD: Buscamos IP que representen un valor para la región y toquen la conciencia de la sociedad actual

Dani Da Rosa de HEi Network: Desde hace varios años trabajamos para convertir a Paraguay en un hub regional

Sergio Pizzolante de Secuoya Studios: Este ha sido un año maravilloso en el que estamos presentando cinco proyectos

Gonzalo Sagardía de Onza: Onza Americas está adaptando nuestra serie Atasco para el mercado latinoamericano

Michelle Alexander Del Barrio

Michelle Alexander de Del Barrio: Vinimos a pitchar, a buscar historias y socios para Leche de tigre

Raúl Prieto de Punta Fina: Ampliamos al equipo de creativos para cada nueva área de la empresa

Adrián Garelik de Flixxo: Estamos en Iberseries cerrando acuerdos para producir una serie completamente generada por IA

Los tres nuevos aliados de Secuoya Studios compartieron proyectos que producen o buscan producir

EFD Studios anunció contrucción del plató de producción virtual más grande de Europa e iniciativas de formación en MX y España

Ramiro Navarro de Frontera+: Abrimos una unidad de inteligencia artificial para publicidad

Luis Miguel Calvo y Javier Martínez de You First Originals: #SeAcabó: Diario de las campeonas para Netflix no pretende ser un relato neutral ni aséptico de lo que pasó

Lina Pérez de e-motion: ELPAUER respalda a empresas de producción audiovisual de Antioquia que quieren internacionalizar su oferta de servicios

Carlos Núñez fundador de Storyboard Media y creador del Sanfic

Carlos Núñez de Storyboard de Chile: Buscamos socios para las ficciones Salvajes y Habitación 205

Guionista Mauricio Ríos: Docuserie de James Rodríguez no es solo sobre fútbol sino que cuenta cosas que él ha debido enfrentar

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ACTUALIDAD

• TNT y Flow lanzaron su octavo proyecto conjunto, La mente del poder coproducida con Onceloops

• Spanish Screenings on Tour promoverá a España en el mercado anglosajón este noviembre

• Secuoya Content Group abre su nuevo hub de producción y sede corporativa en Madrid Content City

• Claire Macdonald de Natpe: Los principales estudios confirman asistencia a Natpe Global 2025

• Debut de La historia de Juana ubicó en primer lugar a Univisión en la televisión en español en Adultos 18-49 años

Un mirada al futuro del entretenimiento y la evolución de la TV ante nuevas tecnologías

La TV abierta por streaming como nueva estrategia de distribución

Emilio Aliaga de TV Azteca Digital: Crecimos en tráfico, audiencia y ventas como resultado de acuerdos estratégicos con OTT

Nayura Rojas de AT&T México: Buscamos conectar a más personas y ofrecerles experiencias inmersivas como el gaming

PERSONAJE DE LA SEMANA

Douglas Darfield, director general de la Alianza para la Calidad de la Medición Multimedia en México (ACAM)

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VIPS
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Frank Scheuermann, director de Contenidos Unscripted de Endemol Shine Boomdog, habla de los retos en producción que trae el 2024
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Y llegaron de noche, comedia y serie original de ViX, producida con 3Pas Studios y Visceral y protagonizada, producida y dirigida por Eugenio Derbez, fue el primer proyecto del que 3Pas Studios y la plataforma conversaron cuando decidieron hacer el acuerdo de first look hace un par de años. Ya ViX y 3Pas Studios han realizado en conjunto los originales: La noche del diablito (2022-2023), Radical (2023), Es por su bien (2024) y ahora Y llegaron de noche (2024). Además de que en la plataforma están disponibles: De viaje con los Derbez (2019) y De broma en broma (2021).

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ACTUALIDAD
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Martín Crespo de Warner Bros. Discovery y Antonio Álvarez de Flow
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Claire Macdonald de Natpe
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