U.S. HISPANIC Versión en español

BB Media: A new era for Disney+: From family fun to broad appeal

19 de julio de 2024

Delfina Gianibelli, media analyst, and Florencia Figari, insights & Research Team Leader at BB Media, analyzed the new era for Disney+ following its merger with Star+.

Both asserted that the streaming world in Latin America is rapidly transforming. After last year’s rebranding and merger of HBO Max and Discovery+, two other notable platforms have decided to follow this strategy. On June 26, Disney+ and Star+ unified under the enhanced and more comprehensive platform: Disney+. Data collected in the first quarter of this year shows that approximately 29% of households with internet access in the region were Disney+ consumers. Additionally, 23% of households with internet also watched Star+ content, making these platforms two of the five most consumed in the region.

This transition will give Disney+ subscribers access to the full catalog of The Walt Disney Company, along with content from ESPN, 20th Century Studio, Searchlight, and FX that was previously available on Star+. To attract users, the updated platform will continue using the Star+ brand for its well-known originals. Additionally, ESPN will remain a separate entity within the platform, keeping its unique logo available for users to access sports content.

This combination will offer a more diverse collection of content to users, as Disney+ was previously geared towards more family-oriented movies and series. Before this transition, the main genres on the platform included comedy, adventure, family, documentary, and animation.

Meanwhile, the dominant genres on Star+ consisted of drama, comedy, action, documentary, and crime. This disparity in content is evident as drama significantly outpaced any other genre on Star+, but did not appear among the top five genres in Disney+’s previous catalog. Additionally, 15% of the titles available on Disney+ were classified as family content, ranking as the third most frequent genre, which did not even make it into Star+’s top 15 genres.

Since the transition, the amount of content classified as drama has drastically increased, becoming the second most featured genre on Disney+. While adventure, family, action, and animation have maintained their positions among the top seven genres, their offerings have been surpassed by the documentary genre, now ranking as the third most prominent genre on the enhanced platforms.

In comparison, with the unification of HBO Max and Discovery+, the distribution of content genres on the platform retained its top three genres (drama, comedy, and documentary), with only minor changes in the rest of the content share. After the merger, reality shows, a strong content category within Discovery+, grew drastically within the Max catalog, now representing 7% of the platform’s content. To put this in context, before the unification, reality shows were not present among the platform’s top 20 genres.

In all of Latin America, prior to the merger, both Star+ and Disney+ offered a similar number of titles (1,500 and 1,703 each, respectively), with only a slight difference leaning towards Disney+. Both platforms had a large collection of recent releases, with 67% of Star+ titles and 48% of Disney+ titles released in 2022 or 2023. This small difference may reflect the varied release dates between each platform in the region, as Disney+ was introduced almost a year before Star+, in 2020.

The enhanced platform is expected to add at least 16 more titles in the coming year. Of the 16 titles announced so far, 50% are new releases. Additionally, seven of the 16 titles are platform originals, including some of Star+’s most successful series, such as The Bear (2022) and El Encargado (2022). Most of the titles announced to be added will be dramas, followed by animation, adventure, action, and comedy.

Both Disney+ and Star+ had created and offered an extensive collection of original content, with Star+ leading. Overall, Star+ had a greater emphasis on the original series, representing 77% of the catalog. In contrast, only 39% of Disney+’s originals were listed as series. After the merger, Disney+ will provide users with a larger number of originals and offer a better balance of different types of content. Specifically, the current catalog has doubled its number of original titles compared to the previous Disney+.

Analyzing local originals reveals a greater disparity in the previous catalogs of the platforms, with Star+ previously containing nearly 44% more titles than Disney+. But how is Disney+ positioned after the merger with Star+ compared to other major players in the region?

After the merger, although Disney+ is still far from reaching the number of titles offered by well-established platforms in the region like Netflix and Prime Video, it has significantly closed the gap with Max’s content offerings. This reduction is evident in both the total number of titles and the number of original and local productions currently offered by both platforms.

In addition to expanding its content, Disney+ has innovated by adding live channels after the merger. Previously, sports events were scattered or segmented by sport within Star+, but on the newly merged Disney+ platform, they are now included within ESPN channels, making it easier for users to find them. On the other hand, special events such as concerts or awards will be available directly on the platform, outside these channels. Users of the Standard Plan or the Standard Plan with Ads will have access to two live ESPN channels, while those on the Premium Plan will have access to four, except for Premium users in Brazil, who will have access to two additional live channels: ESPN 5 and ESPN 6.

The entertainment industry is very dynamic: with new content being created and distributed constantly, new platforms are simultaneously being created and introduced to the public. This surplus of online subscription services can sometimes overwhelm users, leading to consumer fatigue and potential deterrence from a platform. The Walt Disney Company’s strategic decision to consolidate titles through the unification of these preexisting services could help counteract this concern by introducing a larger and more inclusive catalog accessible through a single service.

Not only has the total number of titles increased significantly, by nearly 60%, and therefore the Disney+ catalog, this consolidation brings a more diversified distribution of genres and types of content. This transition is especially notable considering that Disney+, before the merger, emphasized its family-friendly content and features. After the merger, the prominence of Family and Animation titles has significantly decreased relative to other more mature genres like Drama. This transition, along with the addition of live sports streaming and the increase in original and local titles, reduces the need to focus on a specific target audience or demographic, as the new platform is likely to attract people of all ages and interests.

The large amount of content and the increased variety in content options may also bring the platform closer to acquiring the same volume and diversity of titles as its main competitors. Consequently, this could enable Disney+ to continue expanding in the streaming market within Latin America.

Diario de Hoy

viernes, 4 de abril de 2025

Image

José Hernández de América TV Go: “Queremos que más peruanos disfruten de nuestra programación en cualquier momento”

Image
VIPS

• Ignacio Mirchak de Kantar Ibope Media: “A los anunciantes ya no les servía que midamos solo una parte del ecosistema chileno”

• Pitipol Ybarra de TelevisaUnivision: “Con esa misma mirada es un melodrama de alto calibre con lenguaje fílmico”

• Premios PRODU Tecnología 2025 destacaron la innovación y excelencia en la industria audiovisual

• Ana María Gaitán, Luisa Gaitán y Miguel Ángel Baquero hablan de El diván, serie en la que trabajan para preservar legado de Fernando Gaitán

PERSONAJE DE LA SEMANA

Javier Pons, Chief Content Officer y jefe de Telemundo Studios

Image
ACTUALIDAD

• Alianza de contenidos entre Spotify y Kuarzo para producir podcast de ficción

• Canacine y San Luis de Potosi firman acuerdo de colaboración para atraer producciones audivisuales

• FilmRise coloca 18 series de Bloomberg en Amazon a nivel global

• BCMA Spain se renueva como La Casa del Contenido

• Proveedor de servicios especializados en publicidad programática KPAI de Condista fortalece equipo de Ventas

• ICEX abre convocatoria para impulsar la coproducción con México

• Según Kidscorp: Disney, YouTube y Adidas son las marcas favoritas de niños y adolescentes en México

Image
CONTENIDOS

• Comenzó rodaje de la segunda temporada de Como agua para chocolate

• Telemundo ganó horario de lunes a viernes de 1 a 5pm del primer trimestre de este año en TV en español de EE. UU.

• Estrenó en Disney+ Mientras Cupido no está realizada por BTF Media

• Estudios RCN compartió primeras imágenes y elenco completo de nueva versión de La hija del mariachi

• Competencia Yo sí canto regresa a Venevisión este sábado 5

Image
VIPS
Image
Image

La serie Con esa misma mirada, protagonizada por Angélica Rivera y producida por Epigmenio Ibarra de Argos, estudio de TelevisaUnivision, se convirtió en el contenido original más visto en la historia de VIX desde su estreno el pasado 21 de marzo, con más de 2,3 millones de horas de consumo a nivel global y atrayendo además el mayor número de nuevos suscriptores a la plataforma en 2025. Pitipol Ybarra, quien asumió la dirección tras el fallecimiento de Moisés Ortiz Urquidi, reveló los detalles del proceso creativo y el trabajo con el elenco.

Image
Image
Miguel Ángel Baquero, Luisa Gaitán y Ana María Gaitán desarrollan El diván
Image
ACTUALIDAD
Image
Image
El alcalde Enrique Galindo Ceballos firmó este lunes un acuerdo de colaboración con el presidente de la Cámara Nacional de la Industria Cinematográfica (Canacine) delegación San Luis Potosí, Gerardo Rivera Posadas. Este acuerdo busca fortalecer la formación de talento potosino, impulsar la producción local y atraer inversiones estratégicas que posicionen al municipio como un referente en el sector audiovisual mundial.

El alcalde Enrique Galindo Ceballos firmó un acuerdo de colaboración con el presidente de la Cámara Nacional de la Industria Cinematográfica (Canacine) delegación San Luis Potosí, Gerardo Rivera Posadas. Este acuerdo busca fortalecer la formación de talento potosino. Además, impulsar la producción local y atraer inversiones estratégicas que posicionen al municipio como referente en el sector audiovisual mundial.

Image
Image
Image

KPAI, proveedor de servicios gestionados especializados en publicidad programática fundado en 2024 como respuesta a la necesidad del mercado por soluciones programáticas responsables, transparentes y eficientes; sumó a dos ejecutivos a la expansión de su equipo de Ventas con la incorporación estratégica de dos veteranos de la industria: Arnie Magana y Previn Nadu. KPAI es parte de Condista.

Image
Image

Kidscorp, la compañía martech especializada en el segmento U18, presenta el reporte Top Brands 2025, que analiza las marcas más elegidas por niños y adolescentes dentro de las industrias de entretenimiento, juguetes y consumo masivo. El informe revela insights clave sobre las preferencias de consumo de este segmento, a partir de una encuesta a más de 9.500 niños y adolescentes en distintos países de América durante 2024.

Image
CONTENIDOS
Image
Comenzó producción de Como agua para chocolate 2

Como agua para chocolate inició oficialmente el rodaje de su segunda temporada, que desarrollada en tiempos de la Revolución Mexicana, elevará aún más la narrativa con nuevos giros dramáticos, emociones intensas y una producción muy cuidada.

Image
Image
Mientras Cupido no está es la nueva comedia protagonizada por Dolores Heredia (Mirtha), Vadhir Derbez (Bartolo) y Manuel Vega (Alan) y realizada por BTF Media que estrenó el 3 de abril en Disney+

Este jueves 3 estrenó Mientras Cupido no está, nueva comedia protagonizada por Dolores Heredia (Mirtha), Vadhir Derbez (Bartolo) y Manuel Vega (Alan), realizada por BTF Media.

Image
Equipo de La hija del mariachi

Una de las apuestas de 2025 de Estudios RCN es la nueva versión de La hija del mariachi, que desde enero pasado se encuentra en grabaciones, como lo adelantó PRODU. Ahora, la compañía colombiana reveló el elenco completo y sus primeras imágenes.

Image

Regresa la competencia de canto a las pantallas de Venevisión con una cuarta temporada. Yo sí canto: la academia, se transmitirá desde esta sábado 5 a partir de las 5pm y se podrá disfrutar todos los fines de semana a través de Súper sábado sensacional.

PRODU
Resumen de privacidad

Esta web utiliza cookies para que podamos ofrecerte la mejor experiencia de usuario posible. La información de las cookies se almacena en tu navegador y realiza funciones tales como reconocerte cuando vuelves a nuestra web o ayudar a nuestro equipo a comprender qué secciones de la web encuentras más interesantes y útiles.